“It was into 67, in Mexico City on the Seine, of young people, in costumes - of the 3 (ème) quarter of the twentieth century - make the foot of crane in front of a suburban house; behind the déplumés foliages of a beginning of winter grind embusqués hooligans and their glances, some shots in a garden of suburbs, a body rocked on a small bridge and here, the first attempted murder of Trotsky.

A low-angle shot, 5 or 6 votes stress slogans; a slope as a spoil heap, an obsolete cement factory, a metal skeleton appears capitalism; red flags mask and uncover the speaker, and here that of these suburban bits, then from two rudimentary platforms, one surmounted by a photograph of Trotsky, the other dominated by a photograph of Stalin, emerge the reality of the Russian revolution.

It is not one, but speakers, who haranguent, and play the speeches of Trotsky: young people and beautiful exégètes book of the trotskism which, smoking cig on cig, examines and déclament books around an enough underground table to be clandestine rising.

Lyric fictions and minimalists, files of the Russian revolution, and the Soviet films, notorious films, films worships, are treated on an equal footing.

Each one passes by again and endorses the coat, in fact the jacket of leather, the revolutionist; the revolution is of each one, each one carries from there the verb, it is multiple, several and all. ” Fascinating Franssou

With Patrice Chéreau, Marcel Maréchal, Marcel Bozonnet, François Lafarge, Francoise Renberg, Guy Hocquenghem, Joani Hocquenghem, Pierre-William Glenn, Mic Andrieu, Walter Ball.
Be careful, this is an automatic translation...