The Screens Citizens, film club of the University of Paris I Pantheon-Sorbonne created in 2002 between the two turns of the presidential elections, organizes a cycle of projections on the topic “100 years of feminism to the cinema”, at the time of the centenary of the birth of Simone de Beauvoir (1908-1986).

Projections, which will be always followed of a debate, will take place all the year Monday with 20:00, twice per month, with the Studio of the Ursulines (Paris, 5th).

We have the honor to accomodate for the meeting of opening, which will take place on Monday October 1 with 20:00, Marianne Ahrne and its collaborators Bertrand Hurault and Pepo Angel to accompany their Promenade film with the country by old age (Sweden/France, 1974,80 min).

Simone de Beauvoir was to some extent the coauteure of this film because she collaborated in the writing of the scenario, and wrote the comment of the film, which she says itself. This film was distributed never again from its exit in 1978, and diffused forever on television French. It is about documentary on the old age, which makes following the test that Simone de Beauvoir wrote on the subject in 1970. The film comprises an investigation with the old people's home of Nanterre, and a long interview of Simone de Beauvoir.

Studio of the Ursulines, 10 rue des Ursulines, 75006 Paris (the RER B Luxembourg).

Full tariff: 5 €. Cheap rate: 4 € (student, applicants for work, Rmistes, members of the Ursulines or the Screens Citizens).
It is advised to hold its places by telephone to the 01 77 13 78 84 or the 06 87 82 78 84, being done payment the evening even, and places it in front of being withdrawn with 19:45 at the latest.

of infos: http://perso.orange.fr/emmetrop/liens/newletter_sprinkle.html

Since June 15, 2007, sixty without papers of Lille and the surroundings observe an hunger strike and are currently in danger of death. Their movement requires for our support for all, which leads us today to launch a petition of the Actors of the cultural World of the Nord-Pas-de-Calais and besides that we ask you to sign as soon as possible. This petition will be made public within a one week maximum delay and will be useful, we hope for it, in order to make pressure for a positive resolution of the conflict. In addition, it is possible to support them without papers while taking part in the gatherings of support every evening in 30 Place de la République 18:00 in Lille.

FOR the 64éme DAY OF the Hunger strike,

CALL OF THE WOMEN WITHOUT PAPERS TO BE EXPRESSED

ON SATURDAY AUGUST 18, 07 HAS 15:00, PLACE OF THE REPUBLIC HAS LILLE:

Saturday June 9, 2007 with 20:00 with Etna
Projection of “Gloria Mundi” of Nico Papatakis
1:32 - color - 1.66

Nico Papatakis is a provocative scenario writer and militant. It supports J. Broom in 1951 by financing its film “a song of love” and J. Cassavettes by helping it to finish “Shadows”. Nico Papatakis carried out 4 feature-length films, of which Abyssals zone in 62 and Gloria Mundi in 75, little diffused because of the scandals that they caused in all the mediums. 
“Gloria Mundi” speaks about torture. An actress plays the part of an Arab terrorist that parachutists torture in a film which remains unfinished. For better incarnating its character, she tortures itself. Narrowly frays, the fiction and reality make its life a martyrdom: separated from his son and his lover, a producer humiliates it, of the intellectuals of left make fun of his revolutionary faith… The film denounces torture in all its forms through a parallel with the war of Algeria. Taking into consideration current event, the film takes another dimension.

Free entry

“I wonder why people of cinema want so much to film the others with so much frenzy. One cannot need everyone like that. ” Jean-Luc Godard, “Letter with Carole Roussopoulos”, April 12, 1979, in Books of the Cinema n°300.
With an inexhaustible energy, a devastating humour, a historical relevance which is confirmed each day and since 1969 never stopped, Carole Roussopoulos de Kalbermatten, only or in collective, did not cease reinventing the forms of the test and the visual analysis by documenting the fights feminist, homosexual, working and anti-impérialistes. Its considerable work covers forty years of fights, forty years of combat always gained through intelligence and political, victorious know-how always on the legislative ground, ever acquired on the more moving ground of mentalities and the behaviors. Like she writes it itself on her CV: “It privileges the approach of the `without voix', of the anonymities which marked the history and supported by its work the fight of the women” - it would be necessary for operating a methodological bringing together between its work of immediate history and that which during the same decades achieveachieves Arlette Farge in retrospective history, both on the basis of theoretical proposal of Michel Foucault. Perhaps Pionnière of the video, virtuoso of the filmic, giant lampoon of the documentary policy following the example Joris Ivens, Rene Vautier, Chris Marker or Robert Kramer, to quote some of those which fought in images and at the present on all fronts, it does not need everyone, like asked him for Jean-Luc Godard, but us, we need it. Carole Roussopoulos incarnates for us the true beauty and the true joy. (Nicole Brenez)

http://www.cinemathequefrancaise.com/