| Day of studies of Friday May 18, 2007/the three lights |
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In what the experimental cinema is it vital for the cinema?
This day of studies will proceed around series of meeting between cultural researchers, historians, theorists, scenario writers and directors not having been joined together yet. On a historical level, theoretical and plastic, the experimental cinema (exploration of the specific properties of the cinema, interrogation of the device in order to work out technical instruments and to create figures news) affirms like the site even articulation between history of the cinema, the Art schools, the Visual arts and the new media. We will thus exceed certain reducing to poverty designs of the experimental cinema and will study how the concept takes part of a long story of the cinema and studies cinematographic, exceeding very largely the restrictive framework of a “not-commercial” cinematography. Lastly, we will consider the means available to today the cultural world and the institutions to establish a memory and a transmission in this field of the cinema. Maybe, we will put ourselves the questions: Does there exist an experimental inheritance? How was it constituted? How to defend it and emphasize it?
Under the presidencies of: Nicole Brenez (Professor in Paris I Pantheon-Sorbonne, and programmatrice of the meetings of avant-garde of the French Cineclub).
Patrice Kirchhofer (Theorist, experimental Scenario writer)
Marcel Refined (founder of the private co-operative: Collective Young Cinema and of the section of the Cinemas different from the Festival of Hyères)
Guest of honor:
Raphaël Bassan (Scenario writer, historian of the cinema and critical)
Morning
9:00 Opening of the day of studies per Jean A. Gili (University Paris I Pantheon-Sorbonne and director of the CERHEC)
CORPUS/METHODS/ANALYSES
Presidency of the meeting: Nicole Brenez (University of Paris I Pantheon-Sorbonne, programmatrice Cinema of avant-garde to the French Cineclub)
9:30 Bidhan Jacobs (University of Paris I Pantheon-Sorbonne), powers of the blur in the history of the cinema, the video and the new mediae.
10:00 Yekhan Pinarligil (University of Paris I Pantheon-Sorbonne), images of ego and the non-ego in the experimental contemporary cinema.
10:30 Gabriela Trujillo (University of Paris I Pantheon-Sorbonne), On the experimental cinema of Latin America.
11:00 discussion
11:30 /12h30 Film projection courts of the invited scenario writers
Afternoon
EXPERIMENTAL INVENTION/CHANGES/INHERITANCE
13:45 taken again
Presidency of the meeting: Patrice Kirchhofer (Theorist, experimental Scenario writer)
14:00 Hugo Verlinde (cofounder of Etna and scenario writer whose work moulted of the experimental cinema to numerical art), Prémices of numerical art in the field of the experimental cinema.
14:30 Johanna Vaude (University of Paris I Pantheon-Sorbonne, experimental scenario writer), On hybridization with the new media in the contemporary experimental cinema.
15:00 Raphaël Girault (University of Paris I Pantheon-Sorbonne, experimental scenario writer and current President of Etna), On Patrice Kirchhofer.
15:30 Laurence Hoarau (University Paris I Pantheon-Sorbonne), formal inventions and aesthetic stakes of the videographic image in Ange Leccia.
16:00 Sandra Adam-Couralet (School of Louvre), On the collection of experimental cinema of the Center George Pompidou. Film like inheritance. Cinema and Contemporary art.
16:30 discussion
17:00 pauses
CRITICAL GLANCES
Presidency of the meeting by Marcel Refined cofounder of the CJC and the section of the Cinemas different from the Festival of Hyères
17:30 Roundtable chaired by Refined Marcel and animated by Bidhan Jacobs (University of Paris 1 the Pantheon Sorbonne)
Raphaël Bassan, scenario writer, historian of the cinema and critical (In short, Zeuxis, Books of experimental Paris, Encyclopaedia Universalis). Last published work:
Cinema and abstraction: crossings, édt. Books of experimental Paris 25
Refined Marcel, founder of the self-managed co-operative (CJC) and the section Cinemas different from the Festival of Hyère, and which tried to mitigate the absence of political will and achieved an immense, acquisition, conservation and diffusion research task of the experimental cinema.
Valentine Roulet, Director of Creation, the Territories and Public of the CNC, On the public policies in favour of the Avant-garde.
Emeric de Lastens, Doctorand at the University of Paris 1 (the Pantheon Sorbonne) and part-time lecturer in cinema at the University of Paris 3 (New Sorbonne), cofounder of the Exploding review and “experimental” film programmer, in particular with the documentary General states of film of Lussas.
In collaboration with the CERHEC
INHA (National institute of History of Art) Auditorium
Gallery Colbert, 6 rue des small fields, 75002 Paris
INHA (National institute of History of Art) Auditorium
Gallery Colbert, 6 rue des small fields, 75002 Paris
The three lights >>> association of the researchers in cinematographic studies, Paris I - the Pantheon Sorbonne