Vincent Dieutre/Patric Chiha
Wednesday May 14, 2008 with 20h
with the cinema Méliès
Involved meeting Patric Chiha and Vincent Dieutre.
in partnership with Cinemas 93
Central Bologna of Vincent
Dieutre (2004, 62 ')
Realizer of several feature films between documentary and fiction, sorry Rome (1996), Lessons of darkness (2000), Good News (2001), My Voyage from Winter (2002), Fragments on the Grace (2006) or Despues of the revolucion (2007), he is also active member of the Pointligneplan collective, which?uvre since several years for the defense of a "third cinema", between cinema and contemporary art, far away from the commercial injunctions of formats and kinds.
At the top of his art and his literary cinema and
melancholic person, Vincent Dieutre explores with "Bologna power
station" the traces of Italy of the "years of lead", after the attack
neofascist against the station of Bologna during the Eighties,
intermingling the political history with his fictionalized
autobiography, lost loves, sexual meetings, newspaper of the feelings,
urban and rough poetry of the Italian city. "a new page of the private diary of the author Vincent
Dieutre, torn off in Italy, collective disillusions and the time which
passes. Bologna Centrale is also a history of love which badly
finished. A homage to all these fellow travellers whose revolt
was completed by contemptible disappearances, and to the first of
them, Sandro, which was also the man, inconsolably cherished, of the
first kiss, the awakening of a sensuality and a taste of subversion
that the system ended up digesting "
"Thus" Bologna Centrale (the film)"left the workshop of
the secrecy to become manifest of a free cinema of any crenel, of very
forced; a third-film torn off with the intermittency, the
official auteurism; but also an unstable chapter of my life of
cinema torn off with the Berlusconien blindness, my perforated memory,
the amnesic violence of the Empire "Vincent Dieutre
Where is the chief of the prison?
of Patric Chiha (2007, 18 ')
"A through the questionnaire of a schizophrene, Pleasant
Jayet, raises the question of the difference between the female one
and the masculine. Interrogation lived at the same time like one
enfermement and a creepage distance, with the image, moreover,
frontality of a film which, to finish, share in diagonal - the
diagonal of insane which takes off the concrete one of its surface
"(François Bonenfant, French Cinémathèque). Raphaël
Grooving plane, impressing presence and of plastic fluidity at the
time of the monologue which it declines in Where
the chief of the prison is, short film of Patric
Chiha, realized starting from the questionnaire that in 1949 a patient
of the psychiatric hospital of Saint-Alban established.
(Domenica Widemann, Humanity)
This film profited from the Assistance to short
film, device of support for creation, the production and the diffusion
of the general Council of the Seine-Saint-Denis.
Texts: AI& KQ