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Guillaume Dustan was born in 1995, or 96, while writing, then while publishing, In my room (P.O.L, September 1996). Front, there was another person, very unhappy. Depressive, HIV positive. After there were always the depression and the séroposition, but that was already better. A paranoiac and megalomaniac appreciation of the repercussion of its first work having led Guillaume to leave his employment, it hastened to write for will faira to advance its new career. I leave this evening (P.O.L, September 1997) was not the best-seller for which he had so often consulted oracle, but contributed to strengthen his image of young gay writer to follow. Having spent in extasys and tequila-champagne all the money of the purse which it had received from the National centre of the book, Guillaume was deprived well with the end of the year (and in more it had large bronchitis which was not looked after because of its excesses). Without discouraging itself, he proposed with his editor, P.O.L, to create a gay collection of books which could make it puff out (him, Guillaume). P.O.L directed it towards Balland, house friendly. New cap for G.D. Withdrawn in his/her mother, in the countryside, G. wrote its third novel, as purely autobiographical as the two first: More extremely than me appeared in June 1998 (always at P.O.L). To the autumn, G.D. launched the army manoeuvres for the community centre which he wanted to create, the Merry house for everyone. In January 1999 it published Nicolas Pages, its first real success of bookshop. In February of the same year, the collection at Balland (Merry Ray) started. In 2000, G.D. carried out its first film, centered on the figure of known as Nicolas Pages, writer and conceptual artist (and friend of G.D.), like on that of Nan Goldin (R House, coproduit by Postmodern classic videos and Arte). The year 2000 was a great year for G.D., initially with the exit of Innocent, its first best-seller (400 000 e.g.). Then with the opening of the Merry house, under the auspices enlightened of Elisabeth Lebovici, her first president. G.D. announced its decision to give up the writing. In 2003 left its first feature film, Rajneesh, produced by Jodie Foster and played by Bill Clinton (…).

Guillaume Dustan died in October 2005.

Enjoy (back to Ibiza)
Enjoy (back to Ibiza) by Guillaume Dustan (2001, 120min)

“An existential road movie and more or less recluse of drunk in Spain; I meet a student in the Art schools equipped like me which shows me its work, a disguise of slug greatness of man which it makes put at friends to photograph them; also my visit of the central market of Valencia in company of Patrick Cardoon, gay figure worship and editor, I know it blah, and a voyage missed in Ibiza. ”
Guillaume Dustan – Extract of First test, 2005.

Price: thanks to consult us.

Squat
Squat by Guillaume Dustan (2002, 60′)

A film in London with Tim in a squat for Queeruption, a meeting of activists queer wire of to FD, very beautiful very poetic, like the others but even more because there are more people it is moving I do not film the heads like that I do not require an authorization. ” G.D., extract of First test, 2005

Price: thanks to consult us.

Poub(elle)
Poub(elle) by Guillaume Dustan (2002, 60’)

“I speak literature with Pierre Dulieu, of the Belgian review writings, there is a Dustan number + engagement since, in short, while filming the dustbin (with half open), then one rolls myself in the rose petals artificial in the living room of Tim and Philippe. ” Guillaume Dustan, extract of First test, 2005.

Price: thanks to consult us.

Nietzche
Nietzche by Guillaume Dustan (2002, 60′)

“An old jew journalist chief of the redaction of the radio BFM comes to see me for a book on the gays and one speaks, I sat at the office of Tim.”
G.D. extracted from First test, 2005

Price: thanks to consult us.

Last Tweets

  • Kantuta Quirós aux Beaux Arts du Mans ce mardi 21 mars ! @ESADTALM https://t.co/tJ5HuAi4e8- Saturday 18 Mar - 6:19am
  • Aliocha Imhoff interviendra aux Beaux-Arts de Nantes en compagnie de Myriam Mihindou, Dénètem Touam Bona, Fabiana E… https://t.co/AmXxfVLbEY- Saturday 26 Nov - 1:09pm
  • Dans le cadre du programme "Avant, tout cela était la campagne", et à l'invitation de de l'Associació Catalana de C… https://t.co/Eoi2pgEpcE- Saturday 26 Nov - 1:07pm
  • Un très beau compte-rendu de la Journée de préfiguration de l'Ecole des Impatiences, par Anne-Sophie Groué Ruaudel… https://t.co/3vhplS0jdx- Thursday 24 Nov - 7:39am
  • L'école des Impatiences en Une de @paris_normandie Un très bel article par Anne-Sophie Groué Ruaudel… https://t.co/XjvPxJJ7yH- Thursday 24 Nov - 7:37am
  • RT @nosimpatiences: SAVE THE DATE Journée de préfiguration de l'édition 2023 Rendez-vous le samedi 12 novembre 2022 au Drakkar (Dieppe) à 1…- Tuesday 18 Oct - 8:10pm
  • Résidence de recherche @AwareWomenArt à la Villa Vassilieff, deadline : 6 novembre 2022 https://t.co/VLXi2guNgD- Tuesday 18 Oct - 3:44pm
  • RT @EURArTeC: #RencontresArTeC Retrouvez notre table ronde autour des parutions Les vies autonomes, une enquête poétique (C. Breteau) et Qu…- Monday 3 Oct - 7:03am
  • Aliocha Imhoff et Kantuta Quirós présenteront "Qui parle ?" (@PUF, 2022) dans le cadre des rencontres @EURArTeC à… https://t.co/sbiThWbHQg- Sunday 2 Oct - 2:05pm