Andre Almuró,
a radical homosexual cinematography
Friday December 7, 2007 with 20:30
Maison Pop’, Montreuil
FREE ENTRY
Inventor with Jean-Luc Guionnet of a haptic cinema, cinema of the touch, where the camera guided either by the eye but by the arm alone of the agents at the same time filmeurs and filmed, penetrates in a sensory way in the middle of the bodies and of the fittings of its desire, the cinema into super 8 of Andre Almuró, in addition type-setter of musics electroacoustics, constitutes certainly one of the most succeeded searchs for a specifically male and homosexual cinematographic language. Its films which it carries out since 1978, in the gleaming of the minerality of the skins, in the sculptural quivering of the meeting, constitute a single experiment of organic vision.
“Between two men, a cinema of orgasm and desire at the edge of the syncope, an attempt to grant the pleasure of the body to the pleasure of the act to film, attempt some “impossible” share but O how much attractive and worthy of the most interest, because resulting from the greatest risk, that of the life even” Christian Lebrat
Films presented :
Cortège (1978, 34’)
Alliage (1985, 21’)
Point Vélique (1986, 7’)
Corps intérieur (1988, 8’)
Texts: KQ&AI
