Gender trouble
“Your body is a battle field” 1
Art and feminism
Schneemann/Export/ORLAN

Friday November 9, 2007 – 20:30
Maison Pop’, Montreuil
FREE ENTRY

Attention : This is an automatic translation !


In the presence of ORLAN and Caroline Bourgeois (curator of the exhibition Valie Export at the CNP, in 2003)

valie-export-3.jpgDuring years 60-70, the feminist artists shook the contemporary art in the disorder which they knew to insufflate in extreme cases of art (“the private one is political”, critical world of art and report/ratio at the institution, etc). We will present the vidéos of three major artists who, between social criticism and artistic representation, knew to transmute the relationship between body, glance and female condition.

Carolee Schneemann is famous for its fundamental contribution to the body American art and its oscillating route between painting, happening and Fluxus. Mixing with films around a dionysiaque sexuality (Meatjoy, 1964) and erotic cinematographic founded on the correspondence between seeing it and feeling it, the exchange of the glances far from a objectivation and fetichisation of the women (Fuse, 1965), it undertakes a research on the taboos, “vulvar space” and a visceral experiment of the flesh (Interior Scroll, 1975, Body joining).

carolee-schneemann-meatjoy2.jpg

In 1967, the Austrian artist Valie Export chooses for name Export, a mark of cigarettes, evoking as much the potentially commercial dimension of the artistic productions that the stereotype of the woman like consumer goods. “I wanted to bear neither the name of my father nor that of my husband; I wanted to seek my own name”. By a series of feminist actions of a great transgressive load, the artist, resulting from the actionnism Viennese – of which she will in addition have criticized a certain machism – engages his body in the battle. Defying the order of the glances, it upsets the setting in scene voyeurist of the female body by the invention of a Cinema of palpation and groping (Touch Cinema, 1968), performance of street of “revealing” of the patriarchal power struggles which govern the representation of the women. With …Remote…Remote… (1973) it brings into play the “marks of the history exposed by body actions”, marks of a “slavery passed”, and consequently reached a feminism of a rare power.

“I never made a work (drawing, photograph, sculpture, video, performance) without thinking it as a body which would seek other bodies to exist”. orlan-1.jpg(ORLAN) One knows primarily French artist ORLAN for his practice of “carnal Art”, of the plastic surgeon and of the body modified, work on construction and the artificiality of the identity, the skin and the standards, one often forgets that she initially always questioned the statute of the body and particularly of the female body in the history of art and the company. In a series of performance of MesuRAGES going back to 1978, ORLAN, evaluating the place which each urban and architectural place leaves with the individual, measures his body at the institution (the Centre Pompidou) and métaphoriquement registers its body of woman – who provides him her measuring unit, the ORLAN-Body vis-a-vis the world of Article.

Screened films:
Carolee SchneemannMeat Joy (1964, 6 min), Fuses (1964-66, 18 min), Body Collage (1967, 3:30 min), Interior Scroll – The cave (in collaboration with Maria Beatty, 1975-1995, 7:30 min)
ORLANMesuRAGES d’institution : le centre pompidou  (1977, 13’)
Valie ExportTouch Cinema (1968, 2min), Remote…Remote (1973, 12 min)

Texts and curators: Aliocha Imhoff & Kantuta Quiros


1 – Tribute to a photography of Barbara Kruger (1989)

Last Tweets

  • @BiennaleLyon J-1 ⚡️⚡️, très heureux d'y présenter une installation, "Et que demandent-t-ils ? A y devenir quelque… https://t.co/Axd6lSMmcl- Sunday 15 Sep - 3:08pm
  • Kantuta Quiros, invitada de France 24/@RFI, junto a Florencia Angeles @FlorenciaMXFR y Ana Correa, en la emision… https://t.co/Mz4PYM4hKs- Saturday 3 Aug - 8:52am
  • Une pétition à signer pour la libération de la capitaine du bateau humanitaire Sea Watch 3, Carola Rackete !… https://t.co/LhYzH7k2Ad- Sunday 30 Jun - 11:20am
  • Aliocha Imhoff sera ce samedi à B7L9, la nouvelle « station d’art » expérimentale de la Kamel Lazaar Foundation, à… https://t.co/neqiAtlT0K- Thursday 27 Jun - 9:51am
  • Aliocha Imhoff and Kantuta Quiros will speak tomorrow at Goldsmiths University, London during the international sym… https://t.co/h0CxZowkcs- Friday 21 Jun - 4:11pm
  • Demain, 15 mai, nous aurons le plaisir de parler demain à 14h à l'Ecole Nationale Supérieure des Arts Décoratifs… https://t.co/7lluuwp3Sw- Wednesday 15 May - 9:13pm
  • Amis genevois, pour celles et ceux qui pourraient, nous vous donnons rendez-vous à Genève, ce soir, 20H. On y parle… https://t.co/skc31zHcMW- Thursday 9 May - 1:57pm
  • chers amis de Rabat ! Nous serions ravis de vous retrouver demain à 19h à l'occasion d'une conférence à l'Institu… https://t.co/8HboRK4vm9- Wednesday 17 Apr - 7:53pm
  • RT @MimosaHouse: Howardena Pindell recounts her experiences of racism in response to offensive encounters experienced in both the feminist…- Sunday 24 Mar - 5:21pm