A Thousand Years of Nonlinear History

Wednesday November 6, 2013
Afrofuturism – Opening
Centre Pompidou – 7pm – Cinéma 2

With the presence of Ingrid Lafleur, curator based in Detroit, USA.

Kapwani Kiwanga – AFROGALACTICA: A Short History of the Future,
Performance, 40’, 2011-2012

Afrogal-Savvy-copy.jpg
Kapwani Kiwanga – AFROGALACTICA: A Short History of the Future, performance, 2011-2012, Courtesy the artist

The United States of Africa were born on December 8, 2058. The date was chosen to commemorate the 100th anniversary of the first Pan-African Conference, which took place in Accra, Ghana, in 1958. It was during this historic meeting that the then President, Kwame Nkrumah endorsed the model of the United States of Africa, which called for the federation of African States. As early as 2058, efforts were aimed at uniting various African initiatives in the field of space under the umbrella of the Space Agency of the United States of Africa. The initial challenge was to coordinate all member states, taking into account different levels in practical experience in the field of space exploration. Even before the creation of the United States of Africa, there is evidence of a number of initiatives that took place in society at large in the field of astronomy. Throughout modern history, Africa has been subjected to chronopolitical projections: European colonization, acting in the name of Progress, constructed Africa as an ahistorical entity. Afrofuturism, as a philosophy of history, is not so much interested in reversing this archetype (by reconstructing an archeology of the past for Africa and its diaspora) but deliberately chooses the future as a site for historical action. In 1974, the jazz musician Sun Ra proposed with Space Is The Place a spatial and temporal utopia advocating space adventure and intergalactic escape as an alternative for Africans and African Americans. Kapwani Kiwanga, in the role of an anthropologist from the future, comes back on Afrofuturism and on its involvement in the development of the future Space Agency of the United States of Africa. She draws on archives from the past while projecting a science fictional future.

Curated by Aliocha Imhoff & Kantuta Quiros

 

Last Tweets

  • Aliocha Imhoff interviendra aux Beaux-Arts de Nantes en compagnie de Myriam Mihindou, Dénètem Touam Bona, Fabiana E… https://t.co/AmXxfVLbEY- Saturday 26 Nov - 1:09pm
  • Dans le cadre du programme "Avant, tout cela était la campagne", et à l'invitation de de l'Associació Catalana de C… https://t.co/Eoi2pgEpcE- Saturday 26 Nov - 1:07pm
  • Un très beau compte-rendu de la Journée de préfiguration de l'Ecole des Impatiences, par Anne-Sophie Groué Ruaudel… https://t.co/3vhplS0jdx- Thursday 24 Nov - 7:39am
  • L'école des Impatiences en Une de @paris_normandie Un très bel article par Anne-Sophie Groué Ruaudel… https://t.co/XjvPxJJ7yH- Thursday 24 Nov - 7:37am
  • RT @nosimpatiences: SAVE THE DATE Journée de préfiguration de l'édition 2023 Rendez-vous le samedi 12 novembre 2022 au Drakkar (Dieppe) à 1…- Tuesday 18 Oct - 8:10pm
  • Résidence de recherche @AwareWomenArt à la Villa Vassilieff, deadline : 6 novembre 2022 https://t.co/VLXi2guNgD- Tuesday 18 Oct - 3:44pm
  • RT @EURArTeC: #RencontresArTeC Retrouvez notre table ronde autour des parutions Les vies autonomes, une enquête poétique (C. Breteau) et Qu…- Monday 3 Oct - 7:03am
  • Aliocha Imhoff et Kantuta Quirós présenteront "Qui parle ?" (@PUF, 2022) dans le cadre des rencontres @EURArTeC à… https://t.co/sbiThWbHQg- Sunday 2 Oct - 2:05pm
  • RT @diacritik: Kantuta Quirós et Aliocha Imhoff : “Nous posons la question de l’énonciation comme toujours politique” (Qui parle ?) https:/…- Monday 19 Sep - 7:59am