{"id":1183,"date":"2015-01-18T17:33:53","date_gmt":"2015-01-18T16:33:53","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?page_id=1183"},"modified":"2024-03-10T11:21:10","modified_gmt":"2024-03-10T10:21:10","slug":"6-fevrier-2015","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/magiciens\/6-fevrier-2015\/","title":{"rendered":"Day 1 – Beyond the Magiciens Effect – February 6th, 2015"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_global_section id=”4773″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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Friday, February 6, 2015<\/h3>\n

Fondation Gulbenkian<\/strong>
\n11am\u00a0– 6pm<\/p>\n

Diplomats:
\nJoaquin Barriendos<\/a> <\/strong>(art theorist),\u00a0J\u00e9r\u00f4me David<\/strong><\/a> (literary theorist),\u00a0Pedro Lasch<\/a>\u00a0<\/strong>(artist),\u00a0Jean-Claude Moineau<\/strong><\/a>* (art theorist),\u00a0Camille de Toledo<\/a>\u00a0<\/strong>(writer, artist),\u00a0Nicolas Vieillescazes<\/strong><\/a> (philosopher)<\/p>\n

At 11 am
\nTestimonials<\/strong>
\nThe morning talks will come back on what we call the \u201cMagiciens effect\u201d, opening with a testimonial against the global space of art. Dedicated to analyzing and challenging the current geography of art, the exchange will act as a prelude to a prospective and propositional moment.<\/p>\n

Aliocha Imhoff & Kantuta Quiros<\/strong> (curators, theorists)
\nJoaquin Barriendos<\/strong><\/a> (art theorist)
\nAesthetic Diplomacy. Can the Subaltern Geographies of Art Speak?
\nVincent Normand <\/strong><\/a>(writers, curator)
\nThe Magic Circle: the Expanded Field and Anthropological Positivism
\nEmmanuelle Ch\u00e9rel<\/a>\u00a0<\/strong>(art historian)
\nRevisiting the paradigms of art history
\nJohn Peffer <\/strong><\/a>(art theorist)
\nCommuniqu\u00e9 from a possible future where Magiciens<\/em> never happened<\/p>\n

At 2 pm
\nBetween totality and fragmentation<\/strong>
\nIn the wake of the fragmented narratives and the possible art histories that proliferated under decolonial and postcolonial studies, new totalizing narratives are emerging today: from global art history to Bruno Latour\u2019s concept of the Anthropocene and the pragmatic universal (now largely mobilized by the art world) or, prior to that, Fredric Jameson\u2019s appeal to recreate totality. The afternoon will be devoted to examining this dichotomy, this paradox that innervate the global art space, and to putting forth ideas for an alternative geography of art.<\/p>\n

Jean-Claude Moineau*<\/strong><\/strong><\/a><\/strong> (art theorist)<\/a>
\n<\/strong><\/a><\/strong>The quarrel of universalism <\/a>
\n<\/a>Boaventura de Sousa Santos<\/strong><\/a><\/strong> (sociologist)
\nNicolas Vieillescazes<\/strong><\/a> (philosopher)
\nTotalization as imperative
\n<\/strong>Romain Bertrand<\/strong><\/a>\u00a0(historian)
\nSortir de la zone-contact. Esquisses d’une “histoire connect\u00e9e” des mondes de l’art
\nLionel Ruffel<\/a>\u00a0<\/strong>(literary theorist)
\nBrouhaha. Worlds of the Contemporary
\nPascale Casanova <\/strong><\/a>(literary theorist)
\nJ\u00e9r\u00f4me David<\/strong><\/a> (literary theorist)
\nL’arbitrage des mondialit\u00e9s
\nIda Soulard<\/strong><\/a>\u00a0(art historian)
\nT\u00e9ratologies f\u00e9ministes<\/p>\n

\n

Joaqu\u00edn Barriendos<\/h3>\n

Joaqu\u00edn Barriendos enseigne \u00e0 l\u2019Universit\u00e9 de Columbia (D\u00e9partement des Cultures latino-am\u00e9ricaines et ib\u00e9riques). Il \u00e9tait chercheur invit\u00e9 (2010) \u00e0 l\u2019Institut National d\u2019Histoire de l\u2019Art \u00e0 Paris (Art et Mondialisation) ; (2009) du programme d\u2019\u00e9tudes mus\u00e9ales (New York University). Il a lanc\u00e9 (2009) le projet The Rise of Global Art: A Geopolitical View on the International Contemporary Art System (Universit\u00e9 de Barcelone), publi\u00e9 sur les asym\u00e9tries \u00e9conomiques, esth\u00e9tiques et \u00e9pist\u00e9miques du \u2018monde de l\u2019art global\u2019. Il a publi\u00e9 (2007) Geoest\u00e9tica y Transculturalidad et co-\u00e9dit\u00e9 (2011), Global Circuits: The Geography of Art and the New Configurations of Critical Thought<\/p>\n<\/div>\n

 <\/p>\n

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