{"id":1194,"date":"2015-01-18T19:32:22","date_gmt":"2015-01-18T18:32:22","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?page_id=1194"},"modified":"2024-03-10T11:21:37","modified_gmt":"2024-03-10T10:21:37","slug":"7-fevrier-2015","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/magiciens\/7-fevrier-2015\/","title":{"rendered":"Day 2 – Beyond the Magiciens Effect – February 7th, 2015"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_global_section id=”4773″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Saturday, February 7, 2015<\/h3>\n

Laboratoires d’Aubervilliers<\/strong>
\n11 am – 6 pm<\/p>\n

Geoaesthetic manifestos<\/strong>
\nWhat geoaesthetic regimes might be invented and deployed over the next years, diverging from the institutionalized interculturality of the 1990s which reified minority cultures and from the homogenizing global art of the 2000s? What new geographies of art do we want?
\n<\/span><\/p>\n

Diplomats:
\nJoaquin Barriendos<\/a> <\/strong>(art theorist),\u00a0J\u00e9r\u00f4me David<\/strong><\/a> (literary theorist),\u00a0Pedro Lasch<\/a>\u00a0<\/strong>(artist),\u00a0Jean-Claude Moineau<\/strong><\/a>* (art theorist),\u00a0Camille de Toledo<\/a>\u00a0<\/strong>(writer, artist),\u00a0Nicolas Vieillescazes<\/a>\u00a0<\/strong>(philosopher)<\/p>\n

11 am
\nYves Mintoogue<\/a><\/strong> <\/strong><\/strong>(political scientist)
\nMalick N\u2019Diaye<\/strong><\/a> <\/strong>(art historian)
\nFor a knowledge-producing cultural politics
\n<\/strong>Mathieu Kleyebe Abonnenc<\/strong><\/a><\/strong> (artist)
\nBiographies de quelques agents invisibles
\nOlivier Hadouchi <\/strong><\/a>(film historian)
\nFor a Phenix Cinema
\n
\n<\/strong>2\u00a0pm
\nCamille de Toledo\u00a0<\/strong>(writer, artist)
\n“Eutopia, the Country Where the Language is Translation”<\/p>\n

Maria Hlavajova<\/a><\/strong><\/strong> (artistic director, BAK)
\nCharles Esche<\/a><\/strong> (curator, theorist, director of the Van Abbemuseum)
\nOlu Oguibe<\/strong><\/a> (artist)
\nInvitation Declined: Radical Practice in the Global Century
\nPedro Lasch<\/a>\u00a0<\/strong>(artist)
\n‘New Anthems for a New World Order: France, Greater Mexico, and a Latino USA’
\n‘Nuevos himnos para un nuevo order global: Francia, Greater Mexico, y un EEUU latino’<\/p>\n

Elena Sorokina<\/strong><\/a>\u00a0(curator, art historian)
\n(Science) Fictional Universalism –\u00a0narrated exhibition<\/p>\n

Julia Morandeira Arrizabalaga <\/strong><\/a>(independant curator)
\nCanibalia: a\u00a0geo-aesthetic of predation<\/p>\n

Eduardo Jorge<\/a>\u00a0<\/strong>(writer)
\nTowards a morphological frame of mind
\nEstefan\u00eda Pe\u00f1afiel Loaiza<\/strong><\/a> (artist)
\nRecreations – performance<\/p>\n

\n
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