{"id":1199,"date":"2015-01-18T19:48:26","date_gmt":"2015-01-18T18:48:26","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?page_id=1199"},"modified":"2024-03-10T11:21:37","modified_gmt":"2024-03-10T10:21:37","slug":"8-fevrier-2015","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/magiciens\/8-fevrier-2015\/","title":{"rendered":"Day 3 – Beyond the Magiciens Effect – February 8th, 2015"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_global_section id=”4773″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

 <\/p>\n

Sunday, February 8, 2015<\/h3>\n

Les Laboratoires d’Aubervilliers<\/strong>
\n11 am – 7 pm<\/p>\n

Museum f(r)ictions<\/strong>
\nWhat type of museums and institutions can be reimagined for a future geography of art? The recurrence of conceptual and fictional museums proposed by artists and mobilized within a \u201cdecanonized\u201d rewriting of art history invites us to consider the heuristic value of fiction for offering decolonized narratives of art. We will consider the instituting dimension of these speculative and nomadic museums \u2013 museum fictions that invite us to reevaluate the functions of myth and storytelling as scripts for future museum institutions.
\n<\/span><\/p>\n

Diplomats:
\nJoaquin Barriendos<\/a> <\/strong>(art theorist),\u00a0J\u00e9r\u00f4me David<\/strong><\/a> (literary theorist),\u00a0Pedro Lasch<\/a>\u00a0<\/strong>(artist),\u00a0Jean-Claude Moineau<\/strong><\/a>* (art theorist),\u00a0Camille de Toledo<\/a>\u00a0<\/strong>(writer, artist),\u00a0Nicolas Vieillescazes<\/a>\u00a0<\/strong>(philosopher)<\/p>\n

11am
\nKapwani Kiwanga <\/strong><\/a>(artist)
\nThe Matinga collection: towards a museum of the invisible.<\/strong><\/p>\n

Kader Attia<\/strong><\/a> (artist)
\n
\nFran\u00e7oise Verg\u00e8s<\/strong><\/a> (political scientist)
\nMaps and the dynamics of forgetting<\/strong><\/p>\n

Revue Afrikadaa<\/strong><\/a> (Pascale Obolo,\u00a0Louisa Babari)
\n\u00ab Mus\u00e9e l’ont l’eux \u00bb (Cr\u00e9ole fictif, traduction : Muselons Le) (performance)<\/strong><\/p>\n

2pm
\nOlivier Marboeuf<\/strong><\/a><\/strong> (artistic director, Khiasma)
\nL’institution gazeuse (performance)<\/strong><\/p>\n

Tania Bruguera<\/strong><\/a>* (artist)
\nUn mus\u00e9e civique<\/strong><\/p>\n

Vincent Message<\/strong><\/a> (essayist, novelist)
\nOur Country\u2019s Museums<\/strong><\/p>\n

Gustavo Buntinx<\/strong><\/a> (art historian, curator)
\nMuseotopias<\/strong><\/p>\n

Susana Torres<\/strong><\/a> (artist)
\nLe Mus\u00e9e Neo Inka. Le retour des Incas (non recyclables)<\/strong><\/p>\n

Cesar Cornejo<\/strong><\/a><\/strong><\/strong><\/strong> (artist)
\nPuno Museum of Contemporary Art Conciliating Opposites<\/strong><\/p>\n

Fernando Bryce<\/strong><\/a> (artist)
\nMuseo Hawai<\/strong><\/p>\n

Eder Castillo <\/strong><\/a>(artist)
\nThe inflamable museum\u00a0(GuggenSITO)<\/strong><\/p>\n

David Ruffel<\/strong><\/a> (artistic director Masn\u00e2a, L’\u00e9cole de litt\u00e9rature)
\nCe qui est l\u00e0<\/strong><\/p>\n

\n
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