{"id":164,"date":"2007-09-14T11:42:58","date_gmt":"2007-09-14T10:42:58","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/maisonpop-et-melies-2007\/vendredi-12-octobre-2007"},"modified":"2023-11-07T14:28:19","modified_gmt":"2023-11-07T13:28:19","slug":"vendredi-12-octobre-2007","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/gender-trouble\/vendredi-12-octobre-2007\/","title":{"rendered":"Friday October 12, 2007, Pioneers of the experimental and essay French feminist cinema"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_margin=”6%” constrain_group_7=”yes” bottom_margin=”6%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Pioneers of the experimental and essay French feminist cinema
\n<\/strong><\/span><\/h2>\n
Friday October 12 – 20:30<\/strong>
\nMaison Populaire, Montreuil<\/strong>
\nFREE ENTRY<\/strong><\/div>\n

 <\/p>\n

\"\"<\/a>\u201cThe glance of the women, one does not know it\u201d wrote Viviane Forrester in 1976.
\nWith this first meeting devoted to the pionni\u00e8res of the cinema of test and experimental feminist French, this cycle opens by the inaugural gesture carried by three directors \u201cto cut out, decipher and invent\u201d the world, exau\u00e7ant the wish of these years to seek \u201ccollectively and individually a female language\u201d. At the same time with the scenario writers and collectives which will film the fights of the women directly, some will try to invent a new way of producing images. Thus the glance until there far too absent from the women is spread, coming \u201cqualitatively to change words and thoughts, to bring really revolutionary contents\u201d to their films. \u201c(\u2026)\u00a0 I have the desire that women and men change. As beginning with a different beauty\u201d said Danielle Jaeggi then.<\/div>\n

With the presence of Anne-Marie Faure<\/strong>, Michka Gorki<\/strong>, Danielle Jaeggi<\/strong> and Helene Fleckinger<\/strong> (historian of the seventies feminist cinema)
\nCurators: Aliocha Imhoff & Kantuta Quiros (with the advise of Helene Fleckinger).<\/p>\n

\"\"<\/a>SORCIERES-CAMARADES<\/strong> (1971, 10 mn) by Danielle Jaeggi
\n\u201cA film on the women\/a film by women\/a film for the women\/With a camera of man. One day of the women will see these images of our sad survival and will wonder how we could support it. \u201d (extracted) (distribution: le peuple qui manque)<\/a><\/p>\n

 <\/p>\n

\"\"<\/a>UN GESTE EN MOI<\/strong> (1972, 20 mn) by Danielle Jaeggi
\n\u201c(\u2026) Entra\u00eeneuse of fathers – Insane centres in the air – familiar Nymphomaniac – Hysterical hat. Images of women. They stick everywhere. To discuss it itself in knowledge of sex. \u201d Danielle Jaeggi, Paroles\u2026 they turns! , 1976
\n\u201cIn the capitalist company, all is based on alienation, the fact that one exists by the glance of others. \u201d (extracted) (distribution: le peuple qui manque)<\/a><\/p>\n

\"\"<\/a> INTERPRETATIONS<\/strong> (1975, 11 mn) by Michka Gorki
\n\u201cThe infirmity of the illusions
\nThe continual alienation of unforeseen aggressions
\nthe impunity of a strong anonymous crowd of a cohesion of cowardice
\nImpotence vis-a-vis the irremediable one.
\nTo control its fulgurating revolts
\nWith each one its silly thing, quite personal, limited well. \u201d (Extracted)
\n\u201cI carried out a film in which I howled my revolts of woman, of aculeate actress to the madness not to want to play the game of the bestiality of the company\u201d Michka Gorki, Paroles\u2026 they turn! , 1976 (distribution: le peuple qui manque)<\/a><\/p>\n

MALEDICTINES<\/strong> by Anne Marie Faure and collectif Vid\u00e9a (1975, 14 min)
\nExperimental film on the female body. Video collective, lived, filmed and assembled by five women.<\/p>\n

\n

\"jaeggi-sorcieres-3-hd.jpg\"<\/a><\/p>\n

\u00a0Texts and curating: Kantuta Quir\u00f3s & Aliocha Imhoff<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

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