{"id":166,"date":"2007-09-14T12:44:51","date_gmt":"2007-09-14T11:44:51","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/maisonpop-et-melies-2007\/mercredi-28-novembre-2007"},"modified":"2023-11-07T14:32:25","modified_gmt":"2023-11-07T13:32:25","slug":"mercredi-28-novembre-2007","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/gender-trouble\/mercredi-28-novembre-2007\/","title":{"rendered":"Wednesday, November 28, 2007 – Feminist struggles \u201cWhen they took over the camera\u201d"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Feminist struggles
\n\u201cWhen they took over the camera\u201d<\/h1>\n
\n
\u00a0<\/div>\n
Wednesday, November 28, 2007, 8pm<\/strong>
\nat the cinema M\u00e9li\u00e8s<\/strong><\/div>\n
\u00a0<\/div>\n

Screening with Dominique Barbier<\/strong>, Josiane Jo\u00fcet<\/strong> and H\u00e9l\u00e8ne Fleckinger<\/strong> (historian of feminist cinema in the 70s).<\/p>\n

Quand les femmes ont pris la col\u00e8re <\/span><\/strong>
\nby Soazig Chappedelaine<\/span> <\/strong>
\n(in collaboration with Ren\u00e9 Vautier) (67\u2018, 1977)<\/div>\n

\"soazig-quand-les-femmes-3.jpg\"“Workers’ struggles. 1975: Tr\u00e9fim\u00e9taux factory in Cou\u00ebron, a suburb of Nantes. A classic strike at first, in support of wage demands. The women “took the anger” by occupying the office of the manager who refused to see them. Complaint, trial for sequestration… The blockade by management, plus the tenacity of the employees, resulted in a year of exceptional and exemplary struggle, which mobilized solidarity throughout the Nantes – St Nazaire conurbation.”
\nRecounting the women’s courageous action in solidarity with the factory strikers and the emergence of a collective awareness, both feminist and working-class, Soazig Chappedelaine’s film is also a sensitive echo chamber for the aspirations of the twelve women charged, evoking the motives of love in their confrontation with work and working-class life, and the quest for sexual emancipation in its relationship with the class struggle.<\/p>\n

\"Quand<\/a><\/div>\n
\u00a0<\/div>\n
\u00c0 notre sant\u00e9 <\/span><\/strong>
\nby Dominique Barbier, Josiane Jo\u00fcet & Louise Vandelac<\/span> <\/strong>
\n(30\u2019, 1977)<\/div>\n

\"\u00c0<\/a><\/p>\n

The central theme of the Rencontres internationales des Centres de sant\u00e9 pour femmes (International Meeting of Women’s Health Centers), held in Rome in June 1977, was “Knowing one’s body with other women to better inhabit and control it”. The meeting brought together 300 women, including the Boston Collective, authors of the pioneering feminist manual “Our bodies, ourselves”.
\nA notre sant\u00e9 traces the collective “self-health” practices that were a fundamental issue for the feminist movement. Adopting a critical attitude towards medical authority and its often sexist methodology, many struggles were organized around women’s reappropriation of their own bodies and sexuality.
\nA notre sant\u00e9 follows in the footsteps of the militant films of the 70s, which made video the preferred medium for popularizing and accompanying struggles, a medium particularly well-suited to acting as both a counter-power to the male monopoly of the media and a flexible, familiar vehicle for a “quest for individual and collective identity”, It has become “a political practice to share women’s personal experience, shamefully relegated to the realm of private life and the individual case, in the context of the dominant ideology”, thus constituting a real “autonomous audiovisual practice for women”, as H\u00e9l\u00e8ne Fleckinger aptly reminds us in C’est avec la vid\u00e9o que nous nous raconterons, 2005.<\/p>\n

\"\u00c0<\/a><\/div>\n<\/div>\n

\u00a0Textes et programmation : Kantuta Quir\u00f3s & Aliocha Imhoff<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n

\n
\u00a0<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

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