{"id":180,"date":"2007-09-14T14:23:09","date_gmt":"2007-09-14T13:23:09","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/maisonpop-et-melies-2007\/vendredi-16-mai-2008"},"modified":"2023-11-07T21:24:00","modified_gmt":"2023-11-07T20:24:00","slug":"vendredi-16-mai-2008","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/gender-trouble\/vendredi-16-mai-2008\/","title":{"rendered":"Friday May 16, 2008 – Queer Panorama"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
\n

Queer Panorama<\/h1>\n

Rapha\u00ebl Vincent \/ Hans Scheirl & Ursula P\u00fcrrer \/\u00a0 Marcel.l\u00ed Ant\u00fanez Roca \/ <\/strong>
\nLAS OTRAS FrauenLesbenFilmCollectif \/ James Diamond \/ Jack Walworth, David Bronstein & Dorothy Low<\/strong><\/p>\n

Friday, May 16, 2008 at 8:30pm<\/strong>
\nMaison Populaire de Montreuil<\/strong>
\nFree admission<\/p>\n

Gender hybridization, machines, prostheses, cyborg identities, performative re-appropriations and pornography are the hallmarks of queer contemporary cinema, pushing back binary identifications and the boundaries of the body, the private and the obscene to the frontiers of artist video and experimental cinema. The new Queer cinema also documents the voguing subculture, anti-militarist and anti-G8 Queer politics and trans representations, from a position often claimed as collective, reflecting on the ethical framework within which to (self)represent or bear witness to “identities that escape the eye of the system”.<\/p>\n

\"gezacktes-scheirl-purrer.jpg\"<\/a>\"gezacktes-scheirl-purrer-3.jpg\"<\/a>\"gezacktes-scheirl-purrer-2.jpg\"<\/a><\/div>\n

\u00a0We know Hans Scheirl for his cult film Dandy Dust, but here are the beautiful super-8 preparatory sketches of the hermaphroditic, transgendered cinema of the Viennese duo Scheirl & P\u00fcrrer, somewhere between action cinema, trash film and lesbian porn, already showing the vitality of their fantastic corporeal imagination.<\/p>\n

\"satellits-marcelli-antunez-roca.jpg\"<\/a>The rituals of Marcel.l\u00ed Ant\u00fanez Roca, musician, actor and performer and founder of the famous and convulsive Catalan group La Fura dels Baus, are steeped in a machinic, orgiastic cosmogony, and often involve a grotesque blend of computer, robot and biological material that questions begetting, cross-dressing and identity.<\/p>\n

\"ruins-raphael-vincent-1.jpg\"<\/a><\/p>\n

Ruins is the result of a long journey through Western Europe, visiting various autonomous queer communities. The encounters and the places were the occasion for realizing the five parts that make up this artistic project. Neither fiction nor documentary, Ruins delves into the systems of image production to uncover identities that escape the eye of the system. “It’s inside the ruins that we find our objects, fragments of gender, scattered pieces of our histories, bits of sex, blurred images. We had to invent scenes, attitudes and performances. To reappropriate.” (Rapha\u00ebl Vincent)<\/p>\n

\"voguing-the-message.jpg\"<\/p>\n

This program also retraces the formidable inventiveness of the voguing subculture, a dance of reappropriation originating in gay black and Latino communities in the USA, with the cult heroines of Paris is Burning or Tongues Untied (Willi Ninja Field, David Depino, David Spada, Kenny, Kenny, etc.). ), but also the anti-militarist and anti-G8 queer struggles in Germany (Bombodrome), or the intimate poetry of James Diamond (Mars Womb-Man), which forcefully and melancholically questions identity metamorphoses and the binary body as a site of social alienation.<\/p>\n

Rapha\u00ebl Vincent & Ruins production<\/strong>, Let\u2019s the sun shine, (2006, 8\u2019)
\nRapha\u00ebl Vincent & Ruins production<\/strong>, Ruins (2004-2006, 23\u2019)
\nHans Scheirl & Ursula P\u00fcrrer<\/strong>, Body Building (1984, 3\u2019)
\nHans Scheirl & Ursula P\u00fcrrer<\/strong>, Gezacktes Rinnsal Schleight sich schamlos schenkel n\u00e4ssend an (1985, 4\u2019)
\nHans Scheirl & Ursula P\u00fcrrer<\/strong>, 1\/2\u00a0 Fr\u00f6sche Ficken Flink (1994-96, 17\u2019)
\nMarcel.l\u00ed Ant\u00fanez Roca<\/strong>, Sat\u00e8l\u2022lits obscens. Comedia de los Excesos. (1996-1997, 16\u2019)
\nLAS OTRAS FrauenLesbenFilmCollectif<\/strong>, Bombodrom (2007, 3′)
\nJames Diamond<\/strong>, Mars Womb-Man (2006, 12\u2019)
\nJack Walworth, David Bronstein & Dorothy Low<\/strong>, Voguing : the message (1989, 13\u2019)<\/p>\n

\"bombodrom.jpg\"<\/a><\/center><\/p>\n

Curating and texts : Kantuta Quiros & Aliocha Imhoff<\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n[\/vc_column_text][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”4%” constrain_group_1=”yes” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right”…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":159,"menu_order":14,"comment_status":"closed","ping_status":"closed","template":"page-left-sidebar-parents.php","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-180","page","type-page","status-publish"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=180"}],"version-history":[{"count":0,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/180\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/159"}],"wp:attachment":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}