{"id":2688,"date":"2017-09-11T14:33:39","date_gmt":"2017-09-11T13:33:39","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?page_id=2688"},"modified":"2024-03-10T11:35:30","modified_gmt":"2024-03-10T10:35:30","slug":"invites","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/proces-de-la-fiction\/invites\/","title":{"rendered":"Lawyers, judge, experts, witnesses for the Trial of the Fiction"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”6%” constrain_group_1=”yes” bottom_padding=”6%” top_padding_phone=”12%” constrain_group_5=”yes” bottom_padding_phone=”12%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”5%” constrain_group_1=”yes” bottom_margin=”5%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” sticky_content=”true” sticky_content_functionality=”css” sticky_content_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][nectar_global_section id=”4992″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Chairpersons<\/strong><\/p>\n[\/vc_column_text][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

PhD in Philosophy, Mathieu Potte-Bonneville<\/strong> is senior lecturer at the \u00c9cole Normale Sup\u00e9rieure at Lyon. Former president of the Coll\u00e8ge International of Philosophy and co-founder of the tri-monthly magazine Vacarme. He is in charge of \u201cIdeas and Knowledges\u201d at Institut Fran\u00e7ais and he often collaborates with the programme La Grande Table at France-Culture. He has notably published <\/span>Michel Foucault:<\/em> L’inqui\u00e9tude de l’histoire<\/em> or <\/span>D’Apr\u00e8s Foucault<\/em> more recently.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\"Mathieu<\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Producer at France Culture for more than 10 years now, Caroline Brou\u00e9<\/strong>\u00a0has been directing the programme \u00ab\u00a0la Grande Table\u00a0\u00bb from 2010 to 2016. This January, she published her first novel, de ce pas<\/em>. She is also writing for Grazia <\/em>and collaborates at 28 minutes <\/em>(ARTE).<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\"Caroline<\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]\n

Prosecuting advocates<\/strong><\/p>\n

\"Franc\u0327oise<\/a>Fran\u00e7oise Lavocat \u00a0<\/strong>is professor of comparative literature at the Universit\u00e9 Sorbonne Nouvelle. She specializes in theories of fiction (fact and fiction, possible worlds, characters), early modern literature, and catastrophe narratives. She is the author of\u00a0Usages et th\u00e9ories de la fiction, la th\u00e9orie contemporaine \u00e0 l\u2019\u00e9preuve des textes anciens<\/em>\u00a0(ed. Presses Universitaires de Rennes, 2004),\u00a0La th\u00e9orie litt\u00e9raire des mondes possibles<\/em>\u00a0(ed. CNRS, 2010), and\u00a0Fait et fiction, pour une fronti\u00e8re<\/em>\u00a0(forthcoming with Seuil, 2016).<\/p>\n

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\"Alexandre<\/a>Founder of the literary research website Fabula, Alexandre Gefen <\/strong>is researcher at the CNRS and directs the review Nouvelle Revue Esth\u00e9tique\u00a0<\/em>(PUF). His research concerns questions of literary theory applied to contemporary French literature. He has published the volumes Inventer une vie<\/em> (2014), Vies imaginaires <\/em>(2015) and co-edited several works such as Fronti\u00e8res de la fiction<\/em> (2002) He has coordinated an international research project entitled \u201cPouvoir des arts\u201d funded by the Agence Nationale de la Recherche, and has published widely in many critical journals and literary magazines.<\/p>\n

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\"AlisonJames\"<\/a>Alison James <\/strong>is professor of French Literature in the Chicago University. She is working on twentieth- and twenty-first-century French literature, with a particular focus on the Oulipo group, representations of everyday life, nonfiction narrative, and connections between literature and philosophy.<\/p>\n

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\nDefense advocates<\/strong><\/p>\n

\"Dorian<\/a>Dorian Astor <\/strong>is a philosopher, specialist of Nietzsche, on which he wrote Nietzsche<\/em> (Gallimard, 2011), Nietzsche. La d\u00e9tresse du pr\u00e9sent <\/em>(Gallimard, 2014) and Deviens ce que tu es. Pour une vie philosophique <\/em>(Autrement, 2016). Since 2015, he dedicates his researches to the concept of perspectivism (in particular in Leibniz, Nietzsche, Whitehead, and Deleuze\u2019s work).<\/p>\n

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\"Laurent<\/a>Essayist editor and curator, Laurent de Sutter <\/strong>is teaching Legal Theory at Vrije Universiteit Brussel. He is the editor of the \u2018Travaux Pratiques\u2019 series at Presses Universitaires de France.<\/p>\n

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\"Fabien<\/a><\/strong>Doctor in Contemporary Art History Fabien Danesi<\/strong> is a lecturer in theory and practice of photography at the Faculty of Arts of the University of Picardie Jules Verne in Amiens. Former resident of the Villa Medici, French Academy in Rome, he has written several essays about the Situationist International and Guy Debord.<\/p>\n

Witenesses and experts \u00a0<\/strong><\/p>\n

\"Dominique<\/a>Dominique Cardon teachs sociology at SciencesPo, where he leads the medialab. He is studying transformations of public space and the uses of new technologies. He published La d\u00e9mocratie Internet<\/em> (Paris:Seuil\/r\u00e9publique des id\u00e9es, 2010), M\u00e9diactivistes<\/em> with Fabien Franjon (Paris:Presses de SciencesPo, 2010) and, with Jean-Philippe Heurtin Chor\u00e9graphier la g\u00e9n\u00e9rosit\u00e9. Le T\u00e9l\u00e9thon, le don, la critique <\/em>(Paris\u00a0: \u00c9conomica, 2016)<\/p>\n

\"Pascal<\/a>Pascal Engel <\/strong>studied philosophy at Ecole normale Sup\u00e9rieure, the Sorbonne and at UC Berkeley. He has written on the philosophy of logic, philosophy of language and on the philosophy of mind. He is currently working on issues in epistemology, especially the epistemology of belief and epistemic norms. He is also interested in theories of truth.<\/p>\n

 <\/p>\n

\"Romain<\/a>Romain Bertrand <\/strong>is historian, specialist of the insulindien world in the modern and colonial era. He has been a research director at the Fondation nationale des sciences politiques (French foundation for political science) since 2008. He has been an editorial-committee member of Critique internationale and Raisons politiques, and is currently an<\/p>\n

 <\/p>\n

\"Nadia<\/a>Doctor and agr\u00e9g\u00e9e in philosophy, Nadia Yala Kisukidi<\/strong> works as a lecturer and researcher in the Universit\u00e9 Paris 8 Vincennes-Saint Denis. She had been vice-president of the Coll\u00e8ge International de Philosophie (2014-2016). Her main research interests ar in contemporary French philosophy, postcolonial studies, and ethics and theologys.<\/p>\n

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\"Quentin<\/a>Quentin Deluermoz<\/strong> is Associate Professor in History at the University of Paris North \u2013 Paris 13, Research Fellow at the Centre de recherches historiques (EHESS) and member of IUF. He is the author of Le Cr\u00e9puscule des revolution<\/em>s, 1848-1871 (2012) and co-author of Pour une histoire des possibles<\/em> (2016).<\/p>\n

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\"\"<\/a>Laurent Binet<\/strong> is a teacher and is a French writer, awarded the 2010 Prix Goncourt for his novel HHhH.<\/p>\n

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\"Yannick<\/a>Yannick Haenel<\/strong> is an award winning French novelist. He co-founded the literary magazine Ligne de risque. He published several novels, including\u00a0Jan Karski in 2009, sparking controversy.<\/p>\n

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\"Anna<\/a>Anna Arzoumanov <\/strong>is doctor in French Literature at Paris la Sorbonne. She has been working about the border between fact and fictions, using a corpus of decisions of justice about fiction literary.<\/p>\n

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\"Mathieu<\/a>Mathieu Simonet <\/strong>is lawyer and writer of three autobiographical romans Les Carnets blancs<\/em> (2010), La Maternit\u00e9<\/em> (2012) et Barbe rose<\/em> (2016). He is the vice president of la Soci\u00e9t\u00e9 des gens de lettres aux affaires juridiques, co-founded the Gibraltar agency, and he is a artist-searcher at the Ateliers Medicis.<\/p>\n

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\"\"<\/a>Camille de Toledo <\/strong>is a visual artist and an author of books as Strates<\/em>, his “fictional archeology”, and essays that combine different writing styles and genres. He recently published\u00a0Le livre de la faim et de la soif<\/em> (Gallimard, 2017).<\/p>\n

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\"Maylis<\/a>Maylis de Kerangal<\/strong>\u00a0is a french auhtor. She published several novels as Je marche sous un ciel de tra\u00eene<\/em> (2000), La vie voyageuse<\/em> (2003), Corniche Kennedy<\/em> (2008),\u00a0Naissance d\u2019un pont<\/em> (translated here as Birth of a Bridge, winner of the Franz Hessel Prize and the M\u00e9dicis Prize in 2010),\u00a0R\u00e9parer les vivants\u00a0<\/em>(2014, awarded several times).<\/p>\n

 <\/p>\n

\n
\"Dominique<\/a>Dominique Viart<\/i><\/b>\u00a0is an essayist and critic, member of the Institut Universitaire de France, and Professor at the Universit\u00e9 Paris-Ouest. He is the editor of the\u00a0Revue des Sciences Humaines<\/i>. Viart has authored essays on the twentieth-century novel, modern poetry and contemporary literature, focusing on authors like\u00a0<\/span><\/div>\n<\/div>\n
Jacques Dupin or Pierre Michon among others<\/span><\/div>\n

\"Nancy<\/a>Nancy Murzilli<\/strong> works as lecturer at the Universit\u00e9 de Paris 8. Her PhD is about the literature fiction as thought experiment.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\u00c9ric<\/a>Eric Chauvier<\/b> works as a lecturer and researcher in the Ecole nationale sup\u00e9rieure d’architecture de Paris la Villette – ENSAPLV. He is \u00a0urban anthropologist and author.\u00a0<\/span><\/p>\n

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\"Thomas<\/a>Doctor in French Literature and translator, Thomas Mond\u00e9m\u00e9<\/strong> has taught theory of literature and history of ideas at the Universit\u00e9. His PhD is about the cognitive potential of fiction.<\/p>\n

 <\/p>\n

 <\/p>\n

\"Olivier<\/a>Olivier Caira<\/strong> works as lecturer in sociologie at the Universit\u00e9 d\u2019Evry and as member of the CRAL narratology team (EHESS). He does a comparative study between the\u00a0entertainment industry and fiction\u00a0<\/span>experiments.\u00a0<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\"Claudine<\/a>Claudine Tiercelin<\/strong> is a French philosopher, working on metaphysics and philosophy of science. She is professor of philosophy at the Coll\u00e8ge de France.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a>Pascale Piolino<\/strong> est professeure de neuropsychologie \u00e0 l’Universit\u00e9 Paris Descartes, membre de l\u2019Institut universitaire de France et directrice du laboratoire M\u00e9moire et cognition.<\/p>\n

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\"Pacome<\/a>Pac\u00f4me Thiellement<\/strong> became interested in comics and at age 13, he started a fanzine called \u00ab Reciproquement \u00bb. Nowadays he works as a writer for different magazines and journals like Les Cahiers du Cin\u00e9ma<\/em> and Mon Lapin Quotidien<\/em>. He also writes essays with an exegete and burlesque inspiration and books about Pop Culture and his never-ending passion for poetry.<\/p>\n

 <\/p>\n

..and a work of art by..\u00a0<\/strong><\/p>\n

\"De\u0301tecteur<\/a>Jason Kara\u00efndros (left) & Jakob Gautel (right). Interactive light sculpture, collaboration with Jakob Gautel, electronics Walter Goettmann. Glass, wood, metal, electronic circuit, various dimensions.<\/p>\n

 <\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

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