{"id":304,"date":"2011-09-07T00:03:14","date_gmt":"2011-09-06T23:03:14","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/bal\/daniel-eisenberg"},"modified":"2023-11-04T20:08:06","modified_gmt":"2023-11-04T19:08:06","slug":"daniel-eisenberg","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/bal\/daniel-eisenberg\/","title":{"rendered":"Saturday October 29 & Saturday December 10, 2011 \/ Post-war topography \/ Daniel Eisenberg"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Daniel Eisenberg
\nTopographies post-guerre<\/h2>\n

Samedi 29 octobre & Samedi 10 d\u00e9cembre 2011, 11h<\/strong>
\nCin\u00e9ma des Cin\u00e9astes<\/strong>
\nen pr\u00e9sence de Daniel Eisenberg<\/strong><\/p>\n

\n

\"EisenbergPersistence2.jpg\"<\/a>
\nPersistence de Daniel Eisenberg, courtesy the artist<\/p>\n

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Persistence<\/em> de Daniel Eisenberg<\/span><\/strong> (86 min, 1997, Etats-Unis)<\/p>\n

L\u2019\u0153uvre singuli\u00e8re du cin\u00e9aste Daniel Eisenberg d\u00e9passe les fronti\u00e8res entre film exp\u00e9rimental et documentaire historique, empruntant les genres du journal film\u00e9 et du film d\u2019archive, dialoguant autant avec l\u2019avant-garde am\u00e9ricaine (Ernie Gehr, Yvonne Rainer) que le film d\u2019essai europ\u00e9en (Harun Farocki, Chantal Akerman) ou les cultural studies.
\nPrim\u00e9 de nombreuses fois, son long-m\u00e9trage Persistence, tourn\u00e9 en 1991-92, peut \u00eatre vu comme une cartographie cognitive des cons\u00e9quences de la Deuxi\u00e8me Guerre Mondiale et de la chute du Mur de Berlin, telles qu\u2019elles continuent d\u2019habiter le pr\u00e9sent. Daniel Eisenberg explore les paysages contemporains dans lesquels villes et lieux \u2013 mus\u00e9es, archives, statues, \u00e9glises, prisons, camps de concentration \u2013 constituent autant de machines temporelles. Chaque strate incarne des moments diff\u00e9rents superpos\u00e9s et juxtapos\u00e9s. Dans un jeu incessant\u00a0 entre d\u00e9molition et r\u00e9novation, les villes r\u00e9v\u00e8lent comment la soci\u00e9t\u00e9 ajuste et r\u00e9vise la mani\u00e8re dont les catastrophes et les vestiges de la guerre se prolongent dans le moment politique et culturel contemporain. Lors de son exploration sensuelle et m\u00e9lancolique de la post-guerre, Eisenberg int\u00e8gre photographies familiales, films de Rossellini (Allemagne Ann\u00e9e Z\u00e9ro, 1946) et archives militaires, laissant affleurer sensations \u00e9ph\u00e9m\u00e8res et l\u2019entrelacement entre la conscience, la m\u00e9moire, les affects et les d\u00e9sirs.<\/p>\n

\"EisenbergPersistence4.jpg\"<\/a> \"EisenbergPersistence-From-the-archive.jpg\"<\/a> \"EisenbergPersistence3.jpg\"<\/a><\/div>\n

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Curateurs: Aliocha Imhoff & Kantuta Quiros<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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