{"id":330,"date":"2012-05-06T16:34:46","date_gmt":"2012-05-06T15:34:46","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/ethnographe\/projection-27-05-2012"},"modified":"2024-03-10T11:39:14","modified_gmt":"2024-03-10T10:39:14","slug":"projection-27-05-2012","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/ethnographe\/projection-27-05-2012\/","title":{"rendered":"The Artist as Ethnographer – Sunday 27 th May 2012 – Centre Pompidou – Sceening"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_global_section id=”3766″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
\n

Sunday 27th May 2012<\/h2>\n

Centre Pompidou<\/strong>
\nScreening – 8pm<\/p>\n

Cin\u00e9ma 2, Level -1<\/p>\n<\/div>\n

\n

Kidlat Tahimik<\/h3>\n

Why Is Yellow the Middle of the Rainbow ?, 1981-1993, 3h<\/strong><\/p>\n<\/div>\n

\"kidlat1.jpg\"<\/a><\/div>\n

Kidlat Tahimik, filmmaker, Philippines<\/p>\n

Kidlat Tahimik is the filmmaker who has developped the diary film most extensively within a discourse of postcolonial cultural critique. His distinctive filmmaking technique pries apart the various levels of self-representation so that the primitive, the native, and the premoderne are ironically constructed within a discursive bricolage centered on his own subjectivity. (…) Why is Yellow the Middle of the Rainbow ? (1981-1993), three-hours diary, incorporates history of Philippines, Tahimik’s own family, found footage, newspaper headlines and TV broadcasts, home movies, travel footage, and documentation of public event and political demonstrations. \u00a0Documentary footage is mixed with scripted perfomances, and he continually reverses expectations of First and Thirld World cultural scenes. \u00a0His movement between cultures casts him as an exemplary Inappropriate Other. \u00a0(Catherine Russell, Experimental ethnography, 1999)<\/div>\n
…next<\/a><\/div>\n
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