{"id":333,"date":"2013-01-09T18:33:59","date_gmt":"2013-01-09T17:33:59","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/fais-un-effort"},"modified":"2024-03-10T11:32:24","modified_gmt":"2024-03-10T10:32:24","slug":"fais-un-effort","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/fais-un-effort\/","title":{"rendered":"Make an effort to remember.  Or, failling that, invent (2013, B\u00e9tonsalon)"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][nectar_global_section id=&#8221;3763&#8243;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/4&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/2&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<div align=\"center\"><span style=\"font-size: x-large;\">\u00ab Make an effort to remember.<br \/>\nOr, failing that, invent. \u00bb *<\/span><br \/>\n<span style=\"font-size: small;\">Exhibition<br \/>\nB\u00e9tonsalon &#8211; Centre for art and research (Paris)<\/span><\/div>\n<div align=\"justify\">\n<p><strong>Gloria Anzald\u00faa \/ Pauline Boudry &amp; Renate Lorenz \/ Giuseppe Campuzano \/ Theresa Hak Kyung Cha \/ Carola Dertnig \/ Cheryl Dunye \/ Ren\u00e9e Green \/ Marge Monko \/ Roee Rosen \/ Monique Wittig<\/strong><\/p>\n<p>An exhibition curated by Aliocha Imhoff &amp; Kantuta Quiros<br \/>\n23 January \u2013 13 April 2013<br \/>\nOpening: Tuesday 22 January 2013, 6pm &#8211; 9pm<\/p>\n<p>In 1970, in the feminist text anthology Sisterhood is powerful, poet Robin Morgan proposed the neologism herstory to describe a historiographical programme that would reconstruct \u2013 or actually invent \u2013 a &#8220;History of women&#8221;. Much more than a mere celebration of this or that female figure forgotten by History, herstory more ambitiously proposed to provide the premises for a feminist and queer rewriting of History, as opposed to positivist History which not only proved unable to reveal the presence of minorities as political subjects in the course of History, but also contributed to the production of the conditions making them subalterns (Guha 1988 ; Preciado 2005). It is through the invention and diffusion of new writing technologies (such as the fictionalization of archives, mythology, auto-history-theory, oral history, reenactment and temporal dislocation) that feminist and queer historiographies disrupt linear historical narrative processes.<br \/>\n* Monique Wittig, Les Gu\u00e9rill\u00e8res, 1969 , translated by David Le Vay (1973)<\/p>\n<p>This exhibition is the first part of the project &#8220;<strong>A Thousand Years of Nonlinear History<\/strong>&#8220;<\/p>\n<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" title=\"Justine Frank, The Stained Portfolio, dessin et gouache sur papier, 33x38 cm, 1927-1928. Courtesy : Rosenfeld Gallery, Tel Aviv\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/roeerosen-jpg_spo50light.jpg\" alt=\"roeerosen-jpg_spo50light.jpg\" \/><\/div>\n<p>Justine Frank, The Stained Portfolio, dessin et gouache sur papier, 33&#215;38 cm, 1927-1928. Courtesy : Rosenfeld Gallery, Tel Aviv.<\/p>\n<div align=\"justify\">\n<p><strong>Talks with <\/strong>: Beno\u00eet Auclerc, Yannick Chevalier, Fabienne Dumont, Catherine Ecarnot, Jules Falquet, Hel\u00e8ne Fleckinger, Laura Iamurri, Dominique Samson, Suzette Robichon, Elvan Zabunyan, Giovanna Zapperi. <a href=\"https:\/\/www.lepeuplequimanque.org\/en\/fais-un-effort\/rendez-vous\">Read More<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"issuuembed\" style=\"width: 550px; height: 400px;\" data-configid=\"1001786\/1193638\">\u00a0<\/div>\n<p><script src=\"https:\/\/e.issuu.com\/embed.js\" async=\"true\" type=\"text\/javascript\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<div style=\"text-align: center;\">\n<p><a title=\"Pauline Boudry \/ Renate Lorenz, N.O Body, Installation film (16 mm. \/DVD 15 min) et 47 photographies, 2008 - Courtesy: Ellen De Bruijne, Amsterdam et Marcelle Alix, Paris\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/frauen_zeichen.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img decoding=\"async\" title=\"Pauline Boudry \/ Renate Lorenz, N.O Body, Installation film (16 mm. \/DVD 15 min) et 47 photographies, 2008 - Courtesy: Ellen De Bruijne, Amsterdam et Marcelle Alix, Paris\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_frauen_zeichen.jpg\" alt=\"frauen_zeichen.jpg\" \/><\/a><a title=\"Carola Dertnig, Lora Sana I\/1, 2005, photographie \/ C-Print, 21 x 21 cm Courtesy Carola Dertnig &amp; galerie Andreas Huber\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/carola-dertnig-s3_1.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img loading=\"lazy\" decoding=\"async\" title=\"Carola Dertnig, Lora Sana I\/1, 2005, photographie \/ C-Print, 21 x 21 cm Courtesy Carola Dertnig &amp; galerie Andreas Huber\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_carola-dertnig-s3_1.jpg\" alt=\"carola-dertnig-s3_1.jpg\" width=\"115\" height=\"115\" \/><\/a><a title=\"Marge Monko. Nora\u2019s Sisters, 2009, image du film \/ still. 7 min, Photos : Estonian Film Archive. Courtesy: l\u2019artiste \/ the artist\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/marge-monko-nora_still1.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img loading=\"lazy\" decoding=\"async\" title=\"Marge Monko. Nora\u2019s Sisters, 2009, image du film \/ still. 7 min, Photos : Estonian Film Archive. Courtesy: l\u2019artiste \/ the artist\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_marge-monko-nora_still1.jpg\" alt=\"marge-monko-nora_still1.jpg\" width=\"170\" height=\"115\" \/><\/a><\/p>\n<p><a title=\"Giuseppe Campuzano, La Carlita, 2004. Objet trouv\u00e9 \/ fund object. Museo Travesti. Courtesy: l\u2019artiste \/ the artist\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/campuzano_carlita.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img loading=\"lazy\" decoding=\"async\" title=\"Giuseppe Campuzano, La Carlita, 2004. Objet trouv\u00e9 \/ fund object. Museo Travesti. Courtesy: l\u2019artiste \/ the artist\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_campuzano_carlita.jpg\" alt=\"campuzano_carlita.jpg\" width=\"134\" height=\"115\" \/><\/a><a title=\"\u2018Lib\u00e9ration des Femmes : Ann\u00e9e Z\u00e9ro\u2019, in Partisans, N\u00b0 54-55, Masp\u00e9ro, juillet-octobre 1970, D.R.\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/partisans-lutte-des-femmes.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img loading=\"lazy\" decoding=\"async\" title=\"\u2018Lib\u00e9ration des Femmes : Ann\u00e9e Z\u00e9ro\u2019, in Partisans, N\u00b0 54-55, Masp\u00e9ro, juillet-octobre 1970, D.R.\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_partisans-lutte-des-femmes.jpg\" alt=\"partisans-lutte-des-femmes.jpg\" width=\"83\" height=\"116\" \/><\/a><a title=\"Justine Frank, Franks photographs,1933, Courtesy: Roee Rosen and Gallery Rosenfeld\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/roee-rosen-frank33.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img loading=\"lazy\" decoding=\"async\" title=\"Justine Frank, Franks photographs,1933, Courtesy: Roee Rosen and Gallery Rosenfeld\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_roee-rosen-frank33.jpg\" alt=\"roee-rosen-frank33.jpg\" width=\"105\" height=\"116\" \/><\/a><a title=\"Theresa Hak Kyung Cha, Exil\u00e9e - Temps Morts,1980 Livre d\u2019artiste \/ Artist\u2019s book Film stills from White Dust from Mongolia, 1980\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/theresa-cha-exilee-pages170.jpg\" rel=\"prettyPhoto[gallery-jG9z]\"><img loading=\"lazy\" decoding=\"async\" title=\"Theresa Hak Kyung Cha, Exil\u00e9e - Temps Morts,1980 Livre d\u2019artiste \/ Artist\u2019s book Film stills from White Dust from Mongolia, 1980\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_theresa-cha-exilee-pages170.jpg\" alt=\"theresa-cha-exilee-pages170.jpg\" width=\"158\" height=\"116\" \/><\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>\n<strong><br \/>\n<strong>PRACTICAL INFORMATIONS:<br \/>\n<a href=\"https:\/\/www.betonsalon.net\" target=\"_blank\" rel=\"noopener\">B\u00e9tonsalon &#8211; Centre d&#8217;art et de recherche<br \/>\nhttps:\/\/www.betonsalon.net<\/a><\/strong><br \/>\n<\/strong>9 esplanade Pierre Vidal-Naquet &#8211; Rez-de-Chauss\u00e9e de la Halle aux Farines &#8211; 75013 Paris<br \/>\nM\u00e9tro Ligne 14 ou RER C, Arr\u00eat Biblioth\u00e8que Fran\u00e7ois Mitterrand<br \/>\nB\u00e9tonsalon is open from Tuesday to Saturday, from 11am to 7pm. B\u00e9tonsalon is closed on &#8220;f\u00e9ri\u00e9s&#8221; days.<br \/>\nEntrance and all events are free. <strong><strong><br \/>\n<a href=\"https:\/\/maps.google.fr\/maps\/ms?msid=209469803810563160703.0004d3ae8c1cadf9a681b&amp;msa=0&amp;ll=48.829653,2.381523&amp;spn=0.004344,0.011362\" target=\"_blank\" rel=\"noopener\">Google Map<\/a><br \/>\n<\/strong><br \/>\nEXHIBITION<\/strong><br \/>\nCurator: Aliocha Imhoff &amp; Kantuta Quiros \/ Le peuple qui manque<\/p>\n<p><strong>TEAM BETONSALON<\/strong><br \/>\nM\u00e9lanie Bouteloup, director<br \/>\nMarie Bechetoille, Projects coordinator, in charge of production and education<br \/>\nFlora Katz, Projects coordinator, in charge of administration and communication<br \/>\nChlo\u00e9 Even, civic service<br \/>\nClaire Porcher, intern<\/p>\n<p><strong>TEAM LE PEUPLE QUI MANQUE<\/strong><br \/>\nDirector : Aliocha Imhoff &amp; Kantuta Quiros<br \/>\nIntern : Marion Pacouil<\/p>\n<p><strong>BOOKLET<\/strong><br \/>\nEditor : Aliocha Imhoff &amp; Kantuta Quiros<br \/>\nParticipation of : Marion Pacouil<br \/>\nUnpublished texts : Mathias Danbolt, AnaLouise Keating<br \/>\nTranslations: Elizaveta Butakova, St\u00e9phane Surprenant<br \/>\nISSN : 2114 &#8211; 155X<\/p>\n<p>We warmly thank: the artists and participants; the team and its collaborators; the events and exhibition\u2019s partners; the lenders and galleries: Sande Zeig, Dominique Samson, Suzette Robichon, The University of Texas Libraries &#8211; Lee Benson Latin American Collection (Christian Kelleher), Hadas Maor (The Geny and Hanina Brandes Art Collection), Galerie Rosenfeld (Adi Goldner), Salzgeber &amp; Co. Medien GmbH (Daniel Ammann), Free Agent Media (Javier Anguera), UC Berkeley Art Museum and Pacific Film Archive (Lisa Calden), Galerie Riccardo Crespi (Maria Francesca Saibene), Zoe Leonard studio (Jocelyn Davis), Galerie Gisela Capitain GmbH (Friederike Stangier), Les 40 ans du Mouvement, Galerie Marcelle Alix (Isabelle Alfonsi, C\u00e9cilia Becanovic). Sp\u00e9cial thanks to:\u00a0Thomas Abell (Peccadillo Pictures Ltd), Art Press (Ana\u00ebl Pigeat, Rapha\u00ebl Cuir), Christine Van Assche, Beno\u00eet Auclerc, Biblioth\u00e8que Kandinsky (Mus\u00e9e National d\u2019Art Moderne &#8211; Centre Pompidou), Yannick Chevalier, Francesca Comisso, Lara Conte, Mathias Danbolt, C\u00e9sar Delgado Wixan, Catherine Deudon, Fabienne Dumont, Catherine Ecarnot, Laura Iamurri, H\u00e9l\u00e8ne Fleckinger,\u00a0Luc Freyer (ABC- Cinemien \/ Homescreen), Michka Gorki,\u00a0AnaLouise Keating, Elisabeth Lebovici, Catherine Lienard, Claire Moul\u00e8ne (Les Inrocks), Marion Pacouil, Marie Richeux (France Culture), Didier Schulmann, Guislaine Petit Volta, Jean-Marc Volta, Samuel Wahl (Cassandre), Stephen Wright, Elvan Zabunyan, Giovanna Zapperi.[\/vc_column_text][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/4&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"<p>2013<br \/>\nExhibition<br \/>\nB\u00e9tonsalon &#8211; Centre d&#8217;art et de recherche (Paris)<\/p>\n","protected":false},"author":1,"featured_media":1990,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-no-sidebar.php","meta":{"footnotes":""},"categories":[41,31],"tags":[14],"class_list":{"0":"post-333","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-2010-2014","7":"category-curating","8":"tag-archives"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=333"}],"version-history":[{"count":0,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/333\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media\/1990"}],"wp:attachment":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}