{"id":364,"date":"2013-10-26T18:38:58","date_gmt":"2013-10-26T17:38:58","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/thousand\/17-12-13"},"modified":"2023-11-08T13:38:22","modified_gmt":"2023-11-08T12:38:22","slug":"17-12-13","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/thousand\/17-12-13\/","title":{"rendered":"Tuesday, December 17, 2013 &#8211; Yael Bartana"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;4%&#8221; constrain_group_1=&#8221;yes&#8221; bottom_padding=&#8221;4%&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; gradient_type=&#8221;default&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<h3 align=\"center\">Tuesday, December 17, 2013<\/h3>\n<h1 align=\"center\">Ya\u00ebl Bartana&#8217;s Polish trilogy<\/h1>\n<div align=\"center\"><strong>\u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris &#8211; 6pm<\/strong><\/div>\n<p>&nbsp;<\/p>\n<div align=\"center\"><a title=\"Lying in state: the \u2018leader\u2019, (Slawomir Sierakowski) is dead in Assassination, the third part of Yael Bartana\u2019s Polish trilogy. Photograph: Yael Bartana\/Marcin Kalinski\" href=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/thousand\/yael-bartana-assassinatio-001-internet.jpg\" rel=\"prettyPhoto[gallery-7a4v]\"><img decoding=\"async\" title=\"Lying in state: the \u2018leader\u2019, (Slawomir Sierakowski) is dead in Assassination, the third part of Yael Bartana\u2019s Polish trilogy. Photograph: Yael Bartana\/Marcin Kalinski\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/thousand\/thumbs\/thumbs_yael-bartana-assassinatio-001-internet.jpg\" alt=\"yael-bartana-assassinatio-001-internet.jpg\" \/><\/a><br \/>\nLying in state: the \u2018leader\u2019, (Slawomir Sierakowski) is dead in Assassination, the third part of Yael Bartana\u2019s Polish trilogy. Photograph: Yael Bartana\/Marcin Kalinski<\/div>\n<div align=\"center\">\u00a0<\/div>\n<p>With the presence of <strong>Yael Bartana<\/strong> (artist)<\/p>\n<p><span style=\"font-size: medium;\"><strong>Yael Bartana <\/strong>&#8211; <em>\u2026 and Europe will be Stunned <\/em><\/span><\/p>\n<div align=\"justify\">\n<p>Screening of the trilogy <em>\u2026 and Europe will be Stunned<\/em><\/p>\n<p>made up of three films, Mary Koszmary (2007), Mur i wie\u017ca (2009), Zamach (2011) which reports on another (more fictional) part of the Jewish Renaissance Movement in Poland (JRMiP) project.<br \/>\nThe Jewish Renaissance Movement in Poland (JRMiP), a movement initiated and developed over the past few years by Israeli artist Yael Bartana, is based on the unlikely project of bringing Polish Jews back to Poland from Israel.<br \/>\nIn the midst of debates on the worrying persistence of Polish anti-Semitism, following the genocide of three million Jews during the Holocaust, the Movement could be seen as a form of &#8220;historical reparation&#8221;, restoring a Jewish presence to the heart of the country, thus completing a real de-anti-Semitization of contemporary Poland, in the image of the denazification process that took place in Germany in the 1970s. &#8220;May the three million Jews who are missing in Poland come to his bedside and finally dispel his nightmares. Go back to Poland. To your country and ours. [&#8230;] &#8220;<br \/>\nBorn in Israel in 1970, Yael Bartana is a visual artist, video maker and photographer who observes and deconstructs nationalist discourse and propaganda in the Middle East. The artist blurs the boundaries between fiction and reality, hope and fear, past and present. Her works evoke various episodes in the political history of Israel, Poland&#8217;s Jews, and migration and assimilation in general, blending historical backgrounds, current political events and utopian fictions. In 2011, Yael Bartana represented Poland at the Venice Biennale.<\/p>\n<p><span class=\"artiste\">\u00c9cole nationale sup\u00e9rieure des beaux-arts<\/span> &#8211; <a class=\"carte\" href=\"https:\/\/maps.google.fr\/maps?ie=UTF8&amp;q=Ecole+nationale+sup%C3%A9rieure+des+beaux-arts&amp;fb=1&amp;gl=fr&amp;hq=Ecole+nationale+sup%C3%A9rieure+des+beaux-arts&amp;hnear=Paris&amp;cid=0,0,224623359452958429&amp;ei=A8XdTJbwGoXBhAfM_aCkDQ&amp;ved=0CCcQnwIwAQ&amp;ll=48.858701,2.33659&amp;spn=0.006776,0.013733&amp;z=16&amp;iwloc=A&amp;output=embed\">Plan<\/a><br \/>\n<span class=\"names2\">14 rue Bonaparte 75006 Paris<br \/>\nSalle des conf\u00e9rences, 1er \u00e9tage au fond \u00e0 droite \u2013 <strong>Entr\u00e9e libre<\/strong> \u2013 <a href=\"https:\/\/www.ensba.fr\" target=\"_blank\" rel=\"noopener\">www.ensba.fr<\/a><\/span><\/p>\n<p>Curated by Aliocha Imhoff &amp; Kantuta Quiros<br style=\"text-align: start;\" \/><br \/>\n<span style=\"text-align: start;\">This evening is supported by the<\/span><strong style=\"text-align: start;\">\u00a0Polish Cultural Institute of Paris<br \/>\n<\/strong><img decoding=\"async\" class=\"noborder\" style=\"text-align: start;\" title=\"Logo-Institut-Polonais-pt.jpg\" src=\"https:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/thousand\/Logo-Institut-Polonais-pt.jpg\" alt=\"Logo-Institut-Polonais-pt.jpg\" \/><\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;4%&#8221; constrain_group_1=&#8221;yes&#8221; bottom_padding=&#8221;4%&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":348,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"page-left-sidebar-parents.php","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-364","page","type-page","status-publish"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=364"}],"version-history":[{"count":0,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/364\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/348"}],"wp:attachment":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}