{"id":3806,"date":"2023-11-01T14:52:15","date_gmt":"2023-11-01T13:52:15","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?page_id=3806"},"modified":"2026-01-08T13:56:02","modified_gmt":"2026-01-08T12:56:02","slug":"about","status":"publish","type":"page","link":"https:\/\/www.lepeuplequimanque.org\/en\/about\/","title":{"rendered":"About & Archives"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ constrain_group_1=”yes” bottom_padding=”0″ top_margin=”0″ constrain_group_7=”yes” bottom_margin=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”menu” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column 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le peuple qui manque<\/em> (a people is missing) is a Paris-based curatorial platform founded in 2005 by Kantuta Quir\u00f3s & Aliocha Imhoff, working at the intersection of contemporary art and research.<\/h3>\n[\/vc_column_text][vc_column_text]\n
le peuple qui manque<\/em> is also a producer, distributor and publisher of artists’ films. le peuple qui manque<\/em> takes its name from a text by Gilles Deleuze.<\/a><\/h6>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][nectar_cta btn_style=”see-through” heading_tag=”h6″ button_color=”default” button_border_thickness=”0px” link_type=”regular” alignment=”left” alignment_tablet=”default” alignment_phone=”default” display=”block” display_tablet=”inherit” display_phone=”inherit” link_text=”Team” url=”\/en\/staff”][nectar_cta btn_style=”see-through” heading_tag=”h6″ button_color=”default” button_border_thickness=”0px” link_type=”regular” alignment=”left” alignment_tablet=”default” alignment_phone=”default” display=”block” display_tablet=”inherit” display_phone=”inherit” link_text=”Contact us” url=”\/en\/email”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#485c66″ scene_position=”center” top_padding=”3%” constrain_group_1=”yes” bottom_padding=”3%” left_padding_desktop=”1%” constrain_group_2=”yes” right_padding_desktop=”1%” top_margin=”0″ constrain_group_7=”yes” bottom_margin=”0″ text_color=”light” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”curating” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h1″ line_reveal_by_space_text_effect=”default” content_alignment=”default” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Curating” font_size=”8vw”][\/split_line_heading][divider line_type=”No Line”][tabbed_section style=”vertical_scrolling” tab_color=”Accent-Color” vs_navigation_func=”default” vs_navigation_width=”narrow” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”10%” vs_tab_tag=”h4″ vs_cta_style=”see-through” vs_cta_bg_color=”default” vs_cta_heading_tag=”h6″ vs_sticky_aspect=”default”][tab icon_family=”none” title=”2025-2029″ id=”1767876898496-3″ tab_id=”1767876898496-3″][nectar_post_grid post_type=”custom” cpt_name=”page” order=”DESC” orderby=”date” pagination=”none” columns=”2″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”40vh” 2_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”none” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ card_bg_color_hover=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”53″ display_type=”grid”][nectar_responsive_text inherited_font_style=”default” text_direction=”default”]\n

2025-2029<\/h2>\n[\/nectar_responsive_text][\/tab][tab icon_family=”none” title=”2020-2024″ id=”1767876898519-1″ tab_id=”1767876898519-5″][nectar_responsive_text inherited_font_style=”default”]\n

2020-2024<\/h2>\n[\/nectar_responsive_text][nectar_post_grid post_type=”custom” cpt_name=”page” order=”DESC” orderby=”date” pagination=”none” columns=”2″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”40vh” 2_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”none” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ card_bg_color_hover=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”43″ display_type=”grid”][divider line_type=”No Line”][nectar_post_grid post_type=”custom” cpt_name=”post” order=”DESC” orderby=”date” pagination=”none” columns=”4″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”30vh” 4_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”fade-in-from-bottom” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”43″ display_type=”grid”][\/tab][tab icon_family=”none” title=”2015-2019″ id=”1767876898540-7″ tab_id=”1767876898540-2″][nectar_responsive_text inherited_font_style=”default”]\n

<\/a>2015-2019<\/h2>\n[\/nectar_responsive_text][nectar_post_grid post_type=”custom” cpt_name=”page” order=”DESC” orderby=”date” pagination=”none” columns=”2″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”40vh” 2_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”none” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ card_bg_color_hover=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”42″ display_type=”grid”][divider line_type=”No Line”][nectar_post_grid post_type=”custom” cpt_name=”post” order=”DESC” orderby=”date” pagination=”none” columns=”4″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”30vh” 4_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”fade-in-from-bottom” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”42″ display_type=”grid”][\/tab][tab icon_family=”none” title=”2010-2014″ id=”1767876898564-1″ tab_id=”1767876898564-1″][nectar_responsive_text inherited_font_style=”default”]\n

<\/a>2010-2014<\/h2>\n[\/nectar_responsive_text][nectar_post_grid post_type=”custom” cpt_name=”page” order=”DESC” orderby=”date” pagination=”none” columns=”2″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”40vh” 2_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”none” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ card_bg_color_hover=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”41″ display_type=”grid”][divider line_type=”No Line”][nectar_post_grid post_type=”custom” cpt_name=”post” order=”DESC” orderby=”date” pagination=”none” columns=”4″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”30vh” 4_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”fade-in-from-bottom” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”41″ display_type=”grid”][\/tab][tab icon_family=”none” title=”2005-2009″ id=”1767876898587-5″ tab_id=”1767876898587-4″][nectar_responsive_text inherited_font_style=”default”]\n

<\/a>2005-2009<\/h2>\n[\/nectar_responsive_text][nectar_post_grid post_type=”custom” cpt_name=”page” order=”DESC” orderby=”date” pagination=”none” columns=”2″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”40vh” 2_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”none” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ card_bg_color_hover=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”40″ display_type=”grid”][divider line_type=”No Line”][nectar_post_grid post_type=”custom” cpt_name=”post” order=”DESC” orderby=”date” pagination=”none” columns=”4″ columns_tablet=”default” columns_phone=”default” grid_item_spacing=”1vw” grid_item_height=”30vh” 4_col_masonry_layout=”default” image_size=”large” image_loading=”default” animation=”fade-in-from-bottom” animation_stagger=”90″ animation_easing=”default” heading_tag=”h4″ category_position=”default” additional_meta_size=”default” custom_fields_location=”before_post_meta” grid_style=”content_under_image” card_design=”yes” card_bg_color=”#f4ece2″ content_under_image_text_align=”left” text_color=”dark” hover_effect=”slow_zoom” border_radius=”5px” shadow_on_hover=”yes” custom_query_tax=”40″ display_type=”grid”][\/tab][\/tabbed_section][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”top” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f2f2f2″ scene_position=”center” bottom_padding=”8%” constrain_group_2=”yes” left_padding_tablet=”1%” constrain_group_4=”yes” right_padding_tablet=”1%” left_padding_phone=”0″ right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”livres” row_name=”Action Footage” overlay_strength=”0.3″ gradient_direction=”left_to_right” enable_shape_divider=”true” shape_divider_color=”#f4ece2″ shape_divider_position=”bottom” shape_divider_height=”7%” shape_divider_height_tablet=”4%” shape_divider_height_phone=”3%” bg_image_animation=”none” gradient_type=”default” shape_type=”tilt_alt”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” sticky_content=”true” sticky_content_functionality=”css” sticky_content_alignment=”middle” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/12″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][nectar_scrolling_text scroll_direction=”ltr” scroll_speed=”slower” text_color=”#4c89a6″ move_on_scroll_animation=”yes” style=”text_outline” outline_thickness=”ultra-thin” outline_applies_to=”text_only” text_repeat_number=”2″ text_repeat_divider=”space” text_space_amount=”large” overflow=”visible” background_image_animation=”None” custom_font_size=”15vw” custom_font_size_mobile=”30vw”]\n

books & files<\/em><\/h1>\n[\/nectar_scrolling_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”25%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”3524″ image_size=”full” animation_type=”entrance” animation=”Fade In From Bottom” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”5px” box_shadow=”large_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” img_link=”https:\/\/www.lepeuplequimanque.org\/2022\/qui-parle-aliocha-imhoff-kantuta-quiros\/”][vc_column_text css=”.vc_custom_1699820612182{padding-top: 20px !important;}”]\n

Who Speaks (for non-humans)<\/a>
\nPUF, 2022<\/span><\/h4>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” top_margin=”25%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”2296″ image_size=”full” animation_type=”entrance” animation=”Fade In From Bottom” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” img_link=”https:\/\/www.lepeuplequimanque.org\/2016\/les-potentiels-de-temps-manuella-editions\/”][vc_column_text css=”.vc_custom_1699820638364{margin-top: 5px !important;padding-top: 20px !important;}”]\n

Les potentiels du temps<\/a>
\nManuella editions, 2016<\/span><\/h4>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” top_margin=”25%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”3788″ image_size=”full” animation_type=”entrance” animation=”Fade In From Bottom” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” img_link=”https:\/\/www.lepeuplequimanque.org\/2013\/geoesthetique\/”][vc_column_text css=”.vc_custom_1699820629593{padding-top: 20px !important;}”]\n

Geoesthetics<\/a>
\nB42, 2014<\/span><\/h4>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” top_margin=”25%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”594″ image_size=”full” animation_type=”entrance” animation=”Fade In From Bottom” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” img_link=”https:\/\/www.lepeuplequimanque.org\/2013\/histoires-afropolitaines-multitudes-53-54\/”][vc_column_text css=”.vc_custom_1699820656013{padding-top: 20px !important;}”]\n

Afropolitan art histories<\/a>
\nMultitudes n\u00b053-54, 2014<\/span><\/h4>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” top_margin=”25%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”4210″ image_size=”full” animation_type=”entrance” animation=”Fade In From Bottom” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” img_link=”https:\/\/www.lepeuplequimanque.org\/2009\/multitudes35\/”][vc_column_text css=”.vc_custom_1699820673311{padding-top: 20px !important;}”]\n

Queer Cinema<\/a>
\nMultitudes n\u00b035, 2008-2009<\/span><\/h4>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/12″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f4ece2″ scene_position=”center” bottom_padding=”15%” left_padding_desktop=”0″ constrain_group_2=”yes” right_padding_desktop=”0″ left_padding_phone=”0%” constrain_group_6=”yes” right_padding_phone=”0%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” zindex=”2″ overflow=”visible” id=”articles” overlay_strength=”0.3″ gradient_direction=”left_to_right” enable_shape_divider=”true” shape_divider_color=”#485c66″ shape_divider_position=”bottom” shape_divider_height=”3%” shape_divider_height_phone=”1%” bg_image_animation=”none” gradient_type=”default” shape_type=”tilt”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” sticky_content=”true” sticky_content_functionality=”css” sticky_content_alignment=”middle” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”nowrap” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”1px” column_border_style=”dashed” enable_border_animation=”true” column_padding_type=”default” gradient_type=”default”][nectar_scrolling_text scroll_direction=”rtl” scroll_speed=”slower” text_color=”#485c66″ move_on_scroll_animation=”yes” style=”text_outline” outline_thickness=”ultra-thin” outline_applies_to=”text_only” text_repeat_number=”2″ text_repeat_divider=”space” text_space_amount=”large” overflow=”visible” background_image_animation=”None” custom_font_size=”15vw” custom_font_size_mobile=”30vw”]\n

articles<\/em><\/h1>\n[\/nectar_scrolling_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”12%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”slight-fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” constrain_group_2=”yes” left_padding_tablet=”5%” constrain_group_4=”yes” right_padding_tablet=”5%” left_padding_phone=”0%” constrain_group_6=”yes” right_padding_phone=”0%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”padding-3-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”10px” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Aliocha Imhoff & Kantuta Quir\u00f3s, \u00ab La part invisible \u00bb in l\u2019art m\u00eame n\u00b096<\/em>, may 2025″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2025\/la-part-invisible-l-art-meme\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Aliocha Imhoff and Kantuta Quir\u00f3s, \u201cBifurcations and General Rehearsals,\u201d in: A. Caillet, F. Gait\u00e9 (eds.), The Worlds of Art in the Age of Cultural Capitalism, Saint-Denis: PU Vincennes, 2025.” cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2025\/pour-une-ecologisation-des-institutions\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Qui parle \u00e0 l’\u00e8re de l’Anthropoc\u00e8ne ? Pour une politique du silence<\/em>, EKES (EarthKeeping EarthShaking) n\u00b0 02 \u2013 Sonder les droits de la Terre, \u00c9cole Sup\u00e9rieure d\u2019Art et de Design de Reims, 2024″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2025\/ekes-earthkeeping-2\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Interview with Mohamed Amer Meziane<\/em>, D\u00e9cor n\u00b04, EnsAD (Ecole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs), 2024″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2025\/itw-meziane-revue-decor-4\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Il y a urgence, prenons le temps<\/em>, revue manifeste Festina Lente, 2024″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2024\/article-festina-lente\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Pour une \u00e9cologisation des institutions de l\u2019art. Bifurcations et r\u00e9p\u00e9titions g\u00e9n\u00e9rales.<\/em> in (dir.) Florian Ga\u00eet\u00e9 et Aline Caillet, \u00c9pist\u00e9mologie du contemporain, 2024″][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Two questions about language and narratives<\/em> In (dir.) Simona Dvorak et Tadeo Kohan, \u00ab Actes de langage \u00bb, Maison Populaire, 2024″][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Les diasporas textuelles de Babi Badalov<\/em>, (dir.) Patrick Boucheron, Sebastien Gok\u00e4lp, Marie Poinsot, Une histoire de l\u2019immigration en 100 objets. Catalogue du parcours permanent du Mus\u00e9e de l\u2019immigration, Paris, \u00e9ditions de La Martini\u00e8re, 2024″][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Jonas Staal, formes de la d\u00e9mocratie<\/em> in Sc\u00e8nes de l\u2019\u00e9cologie. Politiques du th\u00e9\u00e2tre, th\u00e9\u00e2tres politiques (dir.) Eliane Beaufils, Clim\u00e8ne Perrin, Universit\u00e9 Paris VIII, Presses Universit\u00e9 de Vincennes, 2024″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2024\/lecologie-en-scene-pur\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien avec Aliocha Imhoff & Kantuta Quir\u00f3s par Johan Faerber<\/em> in Diacritik, au sujet de “Qui parle ?“, septembre 2022″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2022\/entretien-diacritik\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”\u00ab Translating the Silence \u00bb<\/em>, in Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial, Leuven University Press, (dir.) Jonas Tinius et Margareta von Oswald, 2020″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/across-anthropology\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Qui parle ?<\/em> in Travelling Narratives, Le Cube \u2013 independent art room, Rabat, 2020″][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Spirals of Enunciation. Towards a Democracy of the Living<\/em>, in (dir.) Christian Alonso, Ana Maria Guasch, Indigenous Epistemologies and Artistic Imagination, MACBA, University of Barcelona, 2020″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2023\/spirals-of-enunciation-2020\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Chronopolitiques du futur : Entretien avec Aliocha Imhoff et Kantuta Quir\u00f3s<\/em>, par Nathalie Desmet, Revue Esse \u2013 arts + opinions, n\u00b0100, Canada, 2020″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2020\/esse-100-chronopolitiques\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”De la suspension de l\u2019art<\/em>, Ab\u00e9c\u00e9daire des bifurcations par Cora Novirus, revue Multitudes n\u00b080, 2020″][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”De la suspension de l\u2019art \u2013 pour des \u00e9tats g\u00e9n\u00e9raux de l\u2019art<\/em>, AOC, 3 juillet 2020″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2020\/de-la-suspension-de-lart-pour-des-etats-generaux-de-lart\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Extensions of the Potential Regime<\/em>, in (dir.) Alt Gar Bra, Tout Va Bien Series, Bergen, 2019″][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien par Isaline Vuille et B\u00e9n\u00e9dicte Le Pimpec<\/em>, in slightly slipping on a banana skin, FMAC, 2018″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2018\/entretien-fmac-2018\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Traduire<\/em>, Ateliers M\u00e9dicis, 2018″][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Extensions du r\u00e9gime potentiel<\/em>, HEAD, 2018, fran\u00e7ais\/anglais”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Extensions du r\u00e9gime potentiel<\/em>, Issue Journal #1, HEAD, 2018, fran\u00e7ais\/anglais” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2018\/extensions-issue-journal-1\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Questionnaire \u00e9l\u00e9mentaire<\/em> in (dir.) Yohann Thommerel & Sonia Chambrietto, revue If, sp\u00e9cial g.i.g., 2018″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.solitairesintempestifs.com\/revues\/685-if-n-48-9782846815765.html”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Revue Le Chassis#4, portrait et entretien avec Aliocha Imhoff & Kantuta Quiros, par Nathalie Desmet, 2018″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2018\/revue-le-chassis4\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Les potentiels du temps<\/em>, actes\u00ab Contemporary Visions of Future \u00bb, Standford University, EHESS, 2018, Bilingue fran\u00e7ais\/anglais.” cta_1_text=”Read online” cta_1_url=”https:\/\/arcade.stanford.edu\/dibur\/potentials-time”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”L\u2019\u00e9criture est la peau de la pens\u00e9e<\/em> in (dir.) Guillaume D\u00e9sanges et Fran\u00e7ois Piron, L\u2019Esprit Fran\u00e7ais. Contre-cultures 1969-1989, La Maison Rouge, La D\u00e9couverte, 2017″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2017\/lecriture-est-la-peau-de-la-pensee\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Politiques de l\u2019entre-lignes<\/em>, in (dir.) Laurent de Sutter, Le livre des trahisons, Presses Universitaires de France, 2016″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2023\/politiques-de-lentre-lignes\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”For a Chronopolitical Approach to the Internationalisation of Art Collections<\/em>, (dir.) Annie Fletcher, Diana Franssen, A Republic of Art, From 80\u2019s to Today, 30 years of FRACs, Van Abbemuseum, Plateforme, 2015. Bilingual English-French” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2015\/pour-une-chronopolitique\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Chapitre 2<\/em> in (dir.) Sandra Delacourt, Katia Schneller, Vanessa Th\u00e9odoropoulou, Le chercheur et ses doubles, \u00e9ditions B42, 2016″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2016\/le-chercheur-et-ses-doubles-b42-2016\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”La possibilit\u00e9 m\u00eame de l\u2019avenir<\/em>, (dir.) Claire Moul\u00e8ne, Revue Initiales AF, 2015″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2015\/initiales-n05\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Curating Research. Pour une diplomatie entre les savoirs<\/em>, revue l\u2019Art-m\u00eame, num\u00e9ro sur le Curating, Bruxelles, 2015″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2015\/curating-research\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Pour une diplomatie entre les savoirs<\/em>, revue Mouvement n\u00b075, nouvelle \u00e9dition, d\u00e9cembre 2014″][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Pour une g\u00e9opo\u00e9tique europ\u00e9enne<\/em>, quotidien Lib\u00e9ration 3 octobre 2014″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2014\/liberation-culture-3-10-2014\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Intranquilles identit\u00e9s du Dr Josef Mengele. Les historiographies antid\u00e9tectivesques<\/em> de Fredi Casco in (dir.) Albertine de Galbertine, La fascination des sir\u00e8nes, Maison de l\u2019Am\u00e9rique latine, 2014. Fran\u00e7ais, anglais, espagnol.” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2014\/fredi-casco\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Museum F(r)ictions<\/em>, in (dir.) Emmanuelle Ch\u00e9rel et Fabienne Dumont, \u201cHistoire de l\u2019art et postcolonialit\u00e9 en France : quels enjeux ?\u201d, Actes des journ\u00e9es d\u2019\u00e9tude \u00e0 l\u2019Ecole Sup\u00e9rieure des Beaux-Arts de Nantes M\u00e9tropole, Presses Universitaires de Rennes, 2014″ cta_1_text=”Read more” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2014-01-30-nantes\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”\u00c9criture de l\u2019histoire et politiques du futur. Notes sur quelques fictions historiographiques.<\/em> in (dir.) M\u00e9lanie Bouteloup, 36 Short Stories, Anthologie B\u00e9tonsalon \u2013 Centre d\u2019Art et de Recherche 10 ans, Co-\u00e9dition B\u00e9tonsalon et Beaux-Arts de Paris Editions, 2014 (Bilingue Anglais-Fran\u00e7ais)”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Glissements de terrain<\/em>, introduction \u00e0 l\u2019ouvrage G\u00e9oesth\u00e9tique, \u00e9ditions B42, 2014″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2013\/geoesthetique\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien avec Jennifer Gonzalez par Aliocha Imhoff & Kantuta Quiros<\/em>, in G\u00e9oesth\u00e9tique, \u00e9ditions B42, 2014″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2013\/geoesthetique\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Historiographies de l\u2019art, depuis l\u2019Afrique<\/del> (Fragments pour un chantier de traductions des discours africains sur l\u2019art)<\/em>, in revue Multitudes n\u00b053-54, Histoires afropolitaines de l\u2019art, automne 2013″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2013\/histoires-afropolitaines-multitudes-53-54\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Pratiques curatoriales et tournant \u00e9ducationnel. Entretien avec Koyo Kouoh, par Aliocha Imhoff et Kantuta Quiros<\/em> in revue Multitudes n\u00b053-54, automne 2013″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2013\/histoires-afropolitaines-multitudes-53-54\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien avec Joaquin Barriendos par Aliocha Imhoff et Kantuta Quiros<\/em>, in (\u00e9d.) Jean-Pierre Criqui, St\u00e9phanie Dadour, Mildred Duran, Sophie Orlando, Kantuta Quiros, N\u00e9m\u00e9sis Srour, Anabela Tournon,Les Cahiers du Mus\u00e9e National d\u2019Art Moderne” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2013\/cahiers-mnam122-barriendos\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Antiphotojournalisme : strat\u00e9gies du visible et de l\u2019invisible<\/em>, in Mutations-Perspectives sur la photographie, Paris Photo\/ Steidl, (dir.) Chantal Pontbriand, traduit en anglais, 2011″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2012\/mutations-paris-photo-2011\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Images documentaires : comment disloquer l\u2019autorit\u00e9 ?<\/em>, in Cahiers du post-dipl\u00f4me, document et art contemporain#1, (dir.) Erik Bullot, Ecole Europ\u00e9enne Sup\u00e9rieure de l\u2019Image, Poitiers\/Angoul\u00eame, 2011″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2012\/images-documentaires\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”De nouvelles g\u00e9ographies visuelles<\/em>, in Hors s\u00e9rie Artpress 2 \u00ab Cin\u00e9mas contemporains \u00bb, (dir.) Christophe Kihm, traduit en anglais, 2011″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2011\/artpress21\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Pour une arch\u00e9ologie du regard<\/em> in Catalogue de META Biennale de Bucarest, (dir.) Mica Gherghescu, Traduit en roumain et anglais, 2010″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2011\/archeologie-du-regard\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Catalogue patrimonial, Collection FILM, Editions Centre Pompidou, 2009 \u2013 Textes sur Lionel Soukaz, Fran\u00e7oise Janicot, Bernard Heidsieck”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Art\/Cin\u00e9ma Queer, cartographie d\u2019un art politique contemporain<\/em> in Revue Multitudes n\u00b035, hiver 2008-2009, \u00e9ditions Amsterdam.” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2009\/multitudes35\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Descolonizando el cuerpo. Vid\u00e9operformance f\u00e9ministe, queer, d\u00e9coloniale chicana et latinoam\u00e9ricaine<\/em> in Revue Multitudes n\u00b035, hiver 2008-2009, \u00e9ditions Amsterdam.” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2009\/multitudes35\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien avec Rapha\u00ebl Vincent<\/em> in Revue Multitudes n\u00b035, hiver 2008-2009, \u00e9ditions Amsterdam.” cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2009\/multitudes35\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Mujeres creando, un f\u00e9minisme autonome en Bolivie<\/em>, revue Offensive, 2007″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2009\/multitudes35\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Andr\u00e9 Almuro, pour une cin\u00e9-graphie radicale, site Bref Magazine, 2009″][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien avec Sandra Monterroso<\/em>, blog elles@centrepompidou, juin 2009″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2009\/entretien-sandra-monterroso\/”][nectar_horizontal_list_item columns=”2″ column_layout_using_2_columns=”large_first” responsive_display=”stacked” col_1_text_align=”left” col_2_text_align=”right” col_1_text_element=”h5″ col_2_text_element=”p” font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Entretien avec Yvonne Rainer<\/em>, blog elles@centrepompidou, septembre 2009″ cta_1_text=”Read online” cta_1_url=”https:\/\/www.lepeuplequimanque.org\/en\/2009\/yvonne-rainer\/”][nectar_horizontal_list_item columns=”1″ col_1_text_align=”left” col_1_text_element=”h5″ font_family=”h5″ hover_effect=”full_border” hover_color=”accent-color” border_radius=”5px” icon_family=”none” icon_size=”regular” col_1_content=”Carl Gustav Jung, l\u2019\u00e9ternel de l\u2019imaginaire<\/em>, in Courants et pratiques psy, \u00e9ditions Larousse, 2007, (dir.) Marc Horwitz”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#485c66″ scene_position=”center” top_padding=”3%” constrain_group_1=”yes” bottom_padding=”3%” constrain_group_2=”yes” text_color=”light” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” zindex=”4″ overflow=”visible” id=”conferences” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#91734f” shape_divider_position=”bottom” bg_image_animation=”none” parallax_bg=”true” parallax_bg_speed=”slow” gradient_type=”default” shape_type=”tilt”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” sticky_content=”true” sticky_content_functionality=”css” sticky_content_alignment=”middle” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”nowrap” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”scroll_pos_advanced” animation_trigger_offset=”0.00,100.00″ animation_start_translate_y=”100″ animation_end_translate_y=”-100″ bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default” animation_adv_start_end=”end”][nectar_scrolling_text scroll_direction=”ltr” scroll_speed=”slower” text_color=”#ffffff” move_on_scroll_animation=”yes” style=”text_outline” outline_thickness=”ultra-thin” outline_applies_to=”text_only” text_repeat_number=”2″ text_repeat_divider=”space” text_space_amount=”large” overflow=”visible” background_image_animation=”None” custom_font_size=”15vw” custom_font_size_mobile=”30vw”]\n

conf\u00e9rences<\/em><\/h1>\n[\/nectar_scrolling_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”20%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” constrain_group_2=”yes” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”padding-3-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”10px” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”]
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