{"id":1652,"date":"2015-04-30T13:15:00","date_gmt":"2015-04-30T12:15:00","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?p=1652"},"modified":"2015-08-07T17:54:21","modified_gmt":"2015-08-07T16:54:21","slug":"maasna-2015","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2015\/maasna-2015\/","title":{"rendered":"MUSEUM F(R)ICTIONS \u2013 Lecture"},"content":{"rendered":"<div id=\"u20846-26\" class=\"clearfix colelem\" data-ice-editable=\"html\" data-ice-options=\"disableImageResize,none\" data-muse-uid=\"U20846\">\n<p id=\"u20846-3\"><span id=\"u20846\"><strong><br \/>\n MUSEUM F(R)ICTIONS<\/strong><\/span><strong>\u00a0\u2013 CONF\u00c9RENCE<\/strong><br \/>\n DE KANTUTA QUIROS ET ALIOCHA IMHOFF<\/p>\n<p>Conf\u00e9rence \u00e0 l&#8217;Institut Fran\u00e7ais de Casablanca, dans le cadre du Festival Masn\u00e2a 2015 &#8220;Ce qui est l\u00e0 &#8221; \u00e0 l&#8217;invitation de <a href=\"https:\/\/www.lecoledelitterature.org\">L\u2019\u00e9cole de litt\u00e9rature<\/a> et de David Ruffel<\/p>\n<p id=\"u20846-11\">\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n<p id=\"u20846-12\"><strong>\u00a0LUNDI 20 AVRIL 2015 &#8211; 18 H<\/strong><\/p>\n<p id=\"u20846-16\"><strong>CONF\u00c9RENCE<\/strong><\/p>\n<p id=\"u20846-18\">\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n<p id=\"u20846-21\"><strong>TH\u00c9\u00c2TRE 121,\u00a0INSTITUT FRAN\u00c7AIS DE CASABLANCA, BOULEVARD ZERKTOUNI<\/strong><\/p>\n<\/div>\n<div id=\"u20845-8\" class=\"TEXTE-IMPORORTANT clearfix colelem\" data-ice-editable=\"html\" data-ice-options=\"disableImageResize,none\" data-muse-uid=\"U20845\">\n<p>\u00ab\u00a0Quels\u00a0mus\u00e9es et institutions r\u00e9imaginer pour une g\u00e9ographie de l\u2019art future ? \u00a0La r\u00e9currence de nombreux mus\u00e9es conceptuels et fictifs, propos\u00e9s par des artistes, mobilis\u00e9s dans une\u00a0r\u00e9\u00e9criture \u201cd\u00e9canonis\u00e9e\u201d de l\u2019histoire de l\u2019art, invite \u00e0 consid\u00e9rer\u00a0la valeur heuristique de la fiction pour proposer des r\u00e9cits de l\u2019art d\u00e9colonis\u00e9s.\u00a0On consid\u00e9rera\u00a0la dimension instituante de ces mus\u00e9es sp\u00e9culatifs et nomades.\u00a0\u00a0Fictions de mus\u00e9e\u00a0qui\u00a0invitent\u00a0\u00e0 r\u00e9\u00e9valuer les fonctions du mythe, de la fabulation comme scripts pour des institutions mus\u00e9ales \u00e0 venir.\u00a0\u00bb<\/p>\n<p>Aliocha Imhoff et Kantuta Quir\u00f3s sont th\u00e9oriciens et commissaires d\u2019exposition bas\u00e9s \u00e0 Paris, fondateurs de la plateforme curatoriale\u00a0\u00ab\u00a0le peuple qui manque\u00a0\u00bb.\u00a0Parmi les derni\u00e8res manifestations dont ils ont \u00e9t\u00e9 les commissaires,\u00a0 \u00ab\u00a0Au del\u00e0 de l&#8217;Effet-Magiciens\u00a0\u00bb\u00a0(Fondation Gulbenkian, Laboratoires d&#8217;Aubervilliers, 2015),\u00a0\u00ab\u00a0The Accelerationist Trial\u00a0\u00bb\u00a0 (Centre Pompidou, 2014),\u00a0\u00ab\u00a0La g\u00e9ografia sirve, primero, para hacer la guerra\u00a0\u00bb\u00a0(Museo de la Memoria, Bogota, 2014),\u00a0\u00ab\u00a0A Thousand Years of NonLinear History\u00a0\u00bb\u00a0(Centre Pompidou, 2013), \u00ab\u00a0The Borderscape Room\u00a0\u00bb (Le Quartier, 2013),\u00a0\u00ab\u00a0Fais un effort pour te souvenir. Ou, \u00e0 d\u00e9faut, invente\u00a0\u00bb\u00a0(B\u00e9tonsalon &#8211; Centre d\u2019Art et de Recherche, 2013),\u00a0\u00ab\u00a0L\u2019artiste en ethnographe\u00a0\u00bb\u00a0(Quai Branly &#8211; Centre Pompidou, 2012),\u00a0\u00ab\u00a0Que faire ? art\/film\/politique\u00a0\u00bb\u00a0(Centre Pompidou, 2010). Ils ont r\u00e9cemment dirig\u00e9\u00a0\u00ab\u00a0G\u00e9oesth\u00e9tique\u00a0\u00bb, un ouvrage collectif d\u00e9di\u00e9 au tournant spatial dans l\u2019art (Editions B42, 2014) et\u00a0\u00ab\u00a0Histoires afropolitaines de l\u2019art\u00a0\u00bb, num\u00e9ro double 53-54 de la revue Multitudes (2014). Ils contribuent r\u00e9guli\u00e8rement \u00e0 des ouvrages collectifs ou des revues d\u2019art et d\u2019esth\u00e9tique (Art Press, les Cahiers du Mnam, l\u2019art m\u00eame, Initiales, Lib\u00e9ration, Mouvement, Multitudes, dont ils sont membres du comit\u00e9 de r\u00e9daction, etc.). Leurs recherches ont fait l\u2019objet de nombreuses conf\u00e9rences (Centre Pompidou, mus\u00e9e du quai Branly, Institut National d\u2019Histoire de l\u2019Art, ENSBA, Grand Palais, Paris Photo, Jeu de Paume, La Maison Rouge, MuCEM, Biennale de Bucarest, 16 beaver New York, HEAD Gen\u00e8ve, Universidad Javeriana, Bogota, Institut Fran\u00e7ais de Berlin, etc). Kantuta Quir\u00f3s est actuellement Ma\u00eetre associ\u00e9e \u00e0 l&#8217;Ecole Nationale Sup\u00e9rieure d\u2019Architecture de Nantes.\u00a0Aliocha Imhoff enseigne \u00e0 l&#8217;Universit\u00e9 Paris 1.<\/p>\n<p>Liens:<br \/>\n <a href=\"https:\/\/www.lecoledelitterature.org\/museum-frictions.html\">https:\/\/www.lecoledelitterature.org\/museum-frictions.html<\/a><\/p>\n<p><a href=\"https:\/\/cequiestla.tumblr.com\/post\/113999985037\/museum-f-r-ictions-conference-de-kantuta-quiros-et\">https:\/\/cequiestla.tumblr.com\/post\/113999985037\/museum-f-r-ictions-conference-de-kantuta-quiros-et<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"https:\/\/www.lepeuplequimanque.org\/fr\/wp-json\/wp\/v2\/posts\/1652\" class=\"qtranxs-available-language-link qtranxs-available-language-link-fr\" title=\"Fran\u00e7ais\">Fran\u00e7ais<\/a>.<\/p>\n<p>Conf\u00e9rence \u00e0 l&#8217;Institut Fran\u00e7ais de Casablanca, le lundi 15 avril 2015, dans le cadre du Festival Masn\u00e2a 2015 &#8220;Ce qui est l\u00e0 &#8221; \u00e0 l&#8217;invitation de L\u2019\u00e9cole de litt\u00e9rature et de David Ruffel<\/p>\n","protected":false},"author":1,"featured_media":596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-1652","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lectures"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/1652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=1652"}],"version-history":[{"count":0,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/1652\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media\/596"}],"wp:attachment":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=1652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=1652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=1652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}