{"id":1752,"date":"2015-05-27T14:52:52","date_gmt":"2015-05-27T13:52:52","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?p=1752"},"modified":"2023-11-11T13:53:20","modified_gmt":"2023-11-11T12:53:20","slug":"pour-une-chronopolitique","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2015\/pour-une-chronopolitique\/","title":{"rendered":"For a Chronopolitical Approach to the Internationalisation of Art Collections (2015)"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

For a Chronopolitical Approach to the Internationalisation of Art Collections<\/span><\/h1>\n

Aliocha Imhoff et Kantuta Quir\u00f3s<\/span><\/strong><\/p>\n

Article for the catalogue of the exhibition<\/strong>
\nA Republic of Art<\/em><\/strong>
\nFrom the 80\u2019s to Today<\/em><\/strong>
\n27 June \u2013 4 October 2015
\nFrench Regional Collections of Contemporary Art @ Van Abbemuseum, Eindhoven, Netherlands<\/p>\n

\"A
\n<\/a>Abstract<\/strong>: “If the \u201cFrench case\u201d, as Fran\u00e7oise Verg\u00e8s once wrote, has long been characterised by a republican resistance \u2013 acting mostly as a veil over its colonial past \u2013 to the \u201cepistemologies of the South\u201d and postcolonial critique, how do we go about reinventing innovative cultural policies that take these contributions into account? How can we do this while setting time back in motion, liberating us from the presentism to which we seem compelled in Europe, particularly in France? How should we rethink the question of the collection, the constitution of a collection of international works emancipated from the positivism of history, if not by questioning the \u201cregimes of veridiction\u201d and their underlying time scenarios?”\u00a0Aliocha Imhoff et Kantuta Quir\u00f3s<\/span><\/p>\n

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