{"id":1928,"date":"2015-10-07T21:26:59","date_gmt":"2015-10-07T20:26:59","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?page_id=1928"},"modified":"2023-11-01T20:38:36","modified_gmt":"2023-11-01T19:38:36","slug":"live-writing-prague","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2015\/live-writing-prague\/","title":{"rendered":"Live Writing in Prague, For a differential government of time (2015)"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]For a differential government of times
\n<\/span>a film program curated by Aliocha Imhoff and Kantuta Quiro\u0301s<\/p>\n

Live writing<\/strong>
\nSunday 11 October 2015, 5 \u2013 10 pm
\nPonrepo Cinema, Bartolomejska 11, Prague 1
\nfree entrance
\nhttps:\/\/are-events.org\/uploads\/48\/are_parallel-formats_2015.pdf<\/a>
\nhttps:\/\/www.facebook.com\/events\/458152344368471\/<\/a><\/p>\n

Are<\/strong>, curatorial organization based in Prague, is inviting a people is missing<\/strong><\/em> for a special format called “Live writing”<\/strong>.\u00a0Live writing<\/strong> is a special format inviting its participants to directly react in written form to a series of films or moving images<\/strong>. The selection of films is curated by a people is missing.<\/strong> This event is open to the public and will be attended by invited Czech and international curators, critics, theorists, writers, philosophers, historians and artists. Selection of the resulting texts will be published in a book<\/strong>.<\/p>\n

“For many years now, we\u2019ve been witnessing a rather discouraging discourse depicting our times as \u201cwinter years\u201d, as F\u00e9lix Guattari puts it: a period of glaciation of potentialities. According to Fran\u00e7ois Hartog, the dominating regime of historicity since 1989 was \u201cpresentism\u201d, a temporal order of static historicity, characterised by the end of expected horizons. How can we set time back in motion, to liberate us from the presentism to which we seem compelled in Europe? This program features films that explore the role that chronopolitics and other modes of imagining the future and re-imagining the past have to play in creating social change. Summoning concepts from recent historiographical renewal, this live session event focuses on alternative temporalities put forward by artists, overlapping temporalities – a spectrality of memory and speculation – to rethink the staging of History (potential, speculative, retrospective, projective and retrocipative histories). These \u00ab heterochronic devices \u00bb address new politics of time, imagining a multi-temporal and non-presentist contemporaneity and finally, tend toward a \u00ab differential government of times \u00bb, as it has been advocated by the philosopher Daniel Innerarity in his book, The future and Its Enemies (Stanford University Press, 2012).” Aliocha Imhoff & Kantuta Quir\u00f3s<\/p>\n

Irina Botea<\/strong>, It is now a matter of learning hope<\/em> (2014, 13min)
\nClaudrena Harold & Kevin Jerome Everson<\/strong>, Sugarcoated Arsenic<\/em> (2014, 20 min)
\nRoee Rosen<\/strong>, The Buried Alive Videos<\/em> (2013, 35min)
\nFre\u0301de\u0301ric Moser & Philippe Schwinger<\/strong>, Capitulation Project<\/em> (2003, 21 min)
\nSven Johne<\/strong>, Some Engels<\/em> (2013, 27 min)
\nMilo Rau<\/strong>, The Moscow Trials<\/em> (2014, 85 min)
\nArmin Linke<\/strong>, Make it work<\/em> (2015, lecture-performance by Lisa Bergmann and Alper Kazokoglu, 40 min)[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”flickity_static_height_style” images=”1883,1933,1934,1932,1941,1942,1943″ flickity_spacing=”default” flickity_controls=”pagination” flickity_overflow=”hidden” flickity_wrap_around=”wrap” flickity_box_shadow=”none” image_loading=”default” onclick=”link_image”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Aliocha Imhoff and Kantuta Quiro\u0301s are art theorists and curators based in Paris, as well as the founders of the curatorial platform a people is missing. Among the last exhibitions they have curated are: La Frontera nos cruzo, Museo de la Inmigracion, Buenos Aires, 2015; Post-exotim, Newhaven Fort, 2015; Cine\u0301ma Permanent in Leiris & Co, Centre Pompidou Metz, 2015; Beyond the Magiciens Effect, Fondation Gulbenkian, Laboratoires d’Aubervilliers, 2015; The Accelerationist Trial, Centre Pompidou, 2014; Geography is used, primarily, to make war, Museo de la Memoria, Bogota, 2014; A Thousand Years of Non Linear History, Centre Pompidou, 2013; Make an effort to remember. Or, failing that, invent., Be\u0301tonsalon \u2013 Centre d\u2019Art et de Recherche, 2013; Artist as ethnographer, Quai Branly \u2013 Centre Pompidou, 2012; What is to be done? art\/film\/politics, Centre Pompidou, 2010. They recently edited the publication Ge\u0301oesthe\u0301tique, a collective project focussing on the spatial turn in art (Editions B42, 2014), and Histoires afropolitaines de l\u2019art, a double issue (nos. 53-54) of the journal Multitudes (2014). Kantuta Quiro\u0301s is an Associate Professor at the l’Ecole Nationale Supe\u0301rieure d\u2019Architecture in Nantes. Aliocha Imhoff teaches at Universite\u0301 Paris 1. In 2015-2016, they are now resident fellows at Me\u0301thode House, Chicago (directed by Guillaume De\u0301sanges) \u2013 Rebuild Foundation (Theaster Gates).<\/p>\n

Live writing is organized in cooperation with UMPRUM in Prague.<\/span><\/p>\n

Are<\/strong> in cooperation with cultural, educational and art institutions wants to develop a program of international events that are linked to current artistic projects. Are wants to reflect the area of so- called auxiliary disciplines for main exhibition program as a more autonomous zone. Are believes that this format will contribute to strengthening the coherence and continuity of international projects. Parallel Formats in its first phase is based on the Moving Image Department series of exhibitions in the National Gallery in Prague. Parallel Formats are organized in cooperation with the 4AM Forum for Architecture and Media, the EMPAC (Experimental Media and Performing Arts Center, Troy, NY), the Faculty of Fine Arts BUT in Brno, LUX London, the National Gallery in Prague, the Studio Hrdin\u016f, the Ponrepo Cinema and the National Film Archive and the UMPRUM in Prague.
\nhttps:\/\/are-events.org\/<\/a><\/p>\n

Are\u2019s projects and programmes are supported by the Prague City Hall, the Ministry of Culture and the State Cultural Fund of the Czech Republic, the French institute, the Goethe-Institut in Prague, the Embassy of the Republic of Slovenia and the US Embassy in Prague. Special thanks to the Hotel Emblem.\u00a0Are\u2019s projects and programmes are organized in cooperation with the 4AM Forum for Architecture and Media, the CCA Prague, the EMPAC (Experimental Media and Performing Arts Center, Troy, NY), the Faculty of Fine Arts BUT in Brno, the Goethe-Institute in Prague, LUX in London, the National Gallery in Prague, the Studio Hrdinu\u030a, the PLATO Ostrava, the Ponrepo Cinema and the National Film Archive, the Prague City Gallery, tranzidisplay and the UMPRUM in Prague.<\/p>\n

Thanks : Are (Zuzana Blochova, Edith Jerabkova, Jen Kratochvil), the artists (Irina Botea,\u00a0Claudrena Harold & Kevin Jerome Everson,\u00a0Roee Rosen,\u00a0Fre\u0301de\u0301ric Moser & Philippe Schwinger,\u00a0Milo Rau,\u00a0Sven Johne,\u00a0Lisa Bergmann,\u00a0Armin Linke,\u00a0Alper Kazokoglu), Picture Palace (Madeleine Molyneaux),\u00a0IIPM – International Institute\u00a0of Political Murder (Mirjam Knapp, Jens Baudisch), Merle Rueffer, AugustinPR, Galerie Jocelyn Wolff (Jocelyn Wolff, Sandrine Djerouet, Nasim Weiler, Louise Desmas), KLEMM`S (Anna Lalla), Florian Haag,\u00a0Giulia Bruno,\u00a0V\u00edctor Fancelli,\u00a0Klemens C, Guillaume D\u00e9sanges.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

For a differential government of times<\/b><\/p>\n

2015, a film-program in Prague<\/p>\n","protected":false},"author":1,"featured_media":1932,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,31],"tags":[14],"class_list":{"0":"post-1928","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-2015-2019","8":"category-curating","9":"tag-archives"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/1928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=1928"}],"version-history":[{"count":0,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/1928\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media\/1932"}],"wp:attachment":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=1928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=1928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=1928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}