\nMay 28th, 2016
\n<\/strong>1:30\u00a0to\u00a07pm<\/p>\n
Diann Bauer,\u00a0Fran\u00e7ois Cusset,\u00a0Fran\u00e7ois Hartog,\u00a0Maurizio Lazzarato,\u00a0\u00c9milie Not\u00e9ris,\u00a0Benjamin Noys,\u00a0Lionel Ruffel,\u00a0Camille de Toledo,\u00a0Tiphaine Samoyault<\/strong><\/p>\n A\u00a0symposium-performance<\/strong>\u00a0curated by\u00a0Aliocha Imhoff & Kantuta Quir\u00f3s<\/strong> Born from a modernity at the end of its rope, a \u00ab\u00a0presentist\u00a0\u00bb regime of historicity has emerged since the late 1980s. A symposium-perfomance will be imagining alternative regime of historicity for the future.<\/strong><\/p>\n No one doubts that an order of time exists \u2014 or rather, that orders of time exist which vary with time and place. Historian Fran\u00e7ois Hartog explored crucial moments of change in society’s \u00ab\u00a0regimes of historicity\u00a0\u00bb or its ways of relating to the past, present, and future. According to Hartog, contemporary Western societies have entered from 1989 a new \u201cregime of historicity\u201d (r\u00e9gimes d’historicit\u00e9, a synonym for temporal order) in which the present has become omnipresent. Hartog calls this regime of historicity \u201cpresentism\u201dand defines it as an invasion of the present into the realms of the past and future. The present is therefore experienced as an acceleration of our social lives and finally as enclosure where the perspective of the future is no longer reassuring, since it is perceived not as a promise, but as a threat. We would call also this tyranny of the present through a social acceleration – to accelerate to be at a standstill – melancholia. \u2014<\/p>\n With\u00a0(as parlementarians) Diann Bauer<\/strong> is an artist and writer based in London. She has exhibited and screened work at galleries and institutions including, Tate Britain (UK), The New Museum and Socrates Sculpture Park (NY), Deste Foundation (GR) and the Ian Potter Museum (AUS). She has lectured at the Tate, the ICA and Goldsmiths London, Berliner Festspiele and Haus der Kulturen der Welt, Berlin and Performing Art Forum (France) and Cornell University amongst others. She is involved in a number of ongoing collaborative projects including of Office for Applied Complexity (https:\/\/officeforappliedcomplexity.com\/<\/a>), Fixing the Future (2014-15,https:\/\/fixingthefuture.info\/<\/a>), Laboria Cuboniks (https:\/\/www.laboriacuboniks.net\/), Alliance of the Southern Triangle (A.S.T. Miami), and Real Flow (NY). Her website is diannbauer.net.<\/p>\n <\/p>\n \u00c9milie Not\u00e9ris Halle14,\u00a0Center for Contemporary Arts<\/strong> — —<\/p>\n About the exhibition\u00a0Capitalist Melancholia<\/strong> Thanks to<\/b>
\nin the context of the project\u00a0Capitalist Melancholia<\/strong><\/a>
\n(cur. Francois Cusset<\/strong>, Camille de Toledo<\/strong> & Michael Arzt<\/strong>)
\nScenography by\u00a0Antonia Kamp<\/strong>.
\n<\/strong>
\nWith the support of\u00a0Halle14<\/a><\/strong>\u00a0and\u00a0Fonds Perspektive<\/strong><\/a>.
\nParticipation fee: 4 \u20ac \/ 2 \u20ac (entry to the exhibition is included)
\nLanguage of the lectures: English.<\/p>\n
\nHow can we set time back in motion, to liberate us from the presentism to which we seem compelled in Europe particularly ?
\nOn opposite side from presentism, new wave of contemporary accelerationism as social emancipation recently emerged, as a way to put time back in motion. The only way out of capitalism would be to take it further, to follow its lines of flight or deterritorialization to the absolute end, to speed-up beyond the limits of production and so to rupture the limit of capital itself.
\nBut, as Benjamin Noys added it, speed is, still, a problem. Our lives are too fast, we are subject to the accelerating demand that we innovate more, work more, enjoy more, produce more, and consume more. Hartmut Rosa declares that today we face a \u2018totalitarian\u2019 form of social acceleration.
\nWhat interests us is a further turn of the screw of this narrative. How can we set time back in motion, to liberate us from the presentism to which we seem compelled – in Europe particularly ? What is the relationship between past, present and future we need to invent and deploy for the future? What politics can we initiate to provoke a new shift ? The symposium-performance A Government of Times tends toward a new politics of time, a possibility to govern the times differently. We are inviting theorists, poets, artists to propose an advocacy for a new regime of historicity and to come and negociate it.
\nAliocha Imhoff & Kantuta Quir\u00f3s<\/p>\n
\nDiann Bauer<\/strong><\/strong>, artist, writer, London
\nFran\u00e7ois Cusset<\/strong><\/strong>, philosopher, Paris
\nFran\u00e7ois Hartog<\/strong>, historian, Paris
\nMaurizio Lazzarato<\/strong>, philosopher, Paris
\n\u00c9milie Not\u00e9ris<\/strong><\/strong>, writer, Paris
\nBenjamin Noys<\/strong>, writer,\u00a0London
\nLionel Ruffel<\/strong>, literary theoretician,\u00a0Berlin
\nCamille de Toledo<\/strong>, artist, writer, curator, Berlin
\nTiphaine Samoyault<\/strong>, writer,\u00a0literary theoretician, Paris<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”nectarslider_style” images=”3657,3656,3650,3654,3648,3649,3651,3653,3655,3652″ image_loading=”default” bullet_navigation_style=”see_through” onclick=”link_no”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n![\"Francois](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/Francois-Cusset-116x150.jpg\")
<\/a>Fran\u00e7ois Cusset<\/strong> is historian of ideas and professor of american civilization at the University of Nanterre, France. Former head of Le Bureau du livre fran\u00e7ais, New York, he has been an associate researcher at\u00a0The National Center of Scientific Research\u00a0(CNRS) within the Communication and Politic laboratory, and professor at the\u00a0Institut d’\u00c9tudes Politiques de Paris. He is the author of French Theory Foucault, Derrida, Deleuze & Cie et les mutations de la vie intellectuelle aux \u00c9tats-Unis, La D\u00e9couverte, Paris, 2003, \u00c0 l’abri du d\u00e9clin du monde, Paris, P.O.L.,\u00a02012 et Une histoire (critique) des ann\u00e9es 90,\u00a0La D\u00e9couverte, Paris, 2014.
\n<\/strong><\/p>\n![\"Francois](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/francois-hartog-photo-113x150.jpg\")
<\/a>Historien, Fran\u00e7ois Hartog<\/strong> (1946) est professeur \u00e0 l\u2019Ecole des Hautes Etudes en Sciences Sociales, o\u00f9 il est titulaire d\u2019une chaire d\u2019historiographie antique et moderne. Il a travaill\u00e9 avec Jean-Pierre Vernant et Pierre Vidal-Naquet. Combinant les approches de l\u2019anthropologie et les instruments de l\u2019histoire intellectuelle, sa r\u00e9flexion sur l\u2019histoire est faite d\u2019allers et retours entre le pass\u00e9 antique et le monde contemporain, entre les exp\u00e9riences anciennes et modernes du temps. (Combining Anthropology with Intellectual History, his reflexion on History has been moving back and forth between ancient and modern experiences of time). \u00a0 Parmi ses publications r\u00e9centes (Among his recent books) : R\u00e9gimes d\u2019historicit\u00e9, pr\u00e9sentisme et exp\u00e9riences du temps<\/i>, Points-Seuil, 2012\u00a0; Croire en l\u2019histoire, <\/i>Flammarion, 2013\u00a0; Partir pour la Gr\u00e8ce,<\/i> Flammarion, 2015.<\/p>\n![\"Maurizio](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/Maurizio-Lazzarato-150x100.jpeg\")
Maurizzio Lazzarato<\/strong> is an independant sociologist and philosopher, living and working in Paris where he pursues research on immaterial work, ontology of work, the breakdown of the wage system, cognitive capitalism and \u201cpost-socialist\u201d movements. He is the author of Puissances de l’invention. La psychologie \u00e9conomique de\u00a0Gabriel Tarde\u00a0contre l’\u00e9conomie politique,\u00a0\u00e9d. Les Emp\u00eacheurs de penser en rond, 2002, Les R\u00e9volutions du\u00a0capitalisme, Les Emp\u00eacheurs de penser en rond, 2004, Le Gouvernement des in\u00e9galit\u00e9s. Critique de l’ins\u00e9curit\u00e9 n\u00e9olib\u00e9rale,\u00a0\u00c9ditions Amsterdam, 2008, Experimental Politics, Work, Welfare and Creativity in the Neoliberal Age, MIT Press, London, 2016, The Making of the Indebted Man, Essay on the Neoliberal Condition, Semiotext(e), Signs and Machines, Capitalism and the Production of Subjectivity, Semiotext(e), 2014, Marcel Duchamp and The Refusal of Work,\u00a0Semiotext(e), 2014, Governing by Debt, Semiotext(e), 2015.<\/p>\n![\"Emilie](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/Emilie-Noteris-100x150.jpg\")
<\/a><\/b><\/p>\n
\nBreaking into the Waves of Feminism
\n<\/span><\/b><\/span>A polytemporal woolfian strategy<\/b><\/span>
\n<\/b>\u00c9milie Not\u00e9ris is a text worker born in 1978. Writer, author of science-fiction (Cosmic trip, 2008; S\u00e9quoiadrome, 2011) and theory\u00a0(F\u00e9tichisme postmoderne, 2010). Translator (Marshall McLuhan, Sudipta Kaviraj, Gayatri Chakravorty Spivak, Slavoj Zizek, Hakim Bey, Malcolm Le Grice, Helen Hester, Eugene Thacker…). She participated in a collective work devoted to\u00a0Game of Thrones\u00a0published by Prairie Ordinary in 2015 and is currently preparing a feminist and queer theory essay La Fiction r\u00e9paratrice (The Healing Fiction). In\u00a02015, she designed the\u00a0EcoQueer\u00a0program\u00a0opening\u00a0for\u00a0Bandits-Mages\u00a0in Bourges and a program\u00a0series\u00a0for b\u00e9tonsalon.<\/p>\n![\"Benjamin](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/Benjamin-Noys-2014-144x150.jpg\")
<\/a>Benjamin Noys<\/b>
\nTime’s Carcass: De-Fetishising Toxic Time<\/strong>
\nThe Bad New: Time in the Present Moment<\/strong>
\nBenjamin Noys\u00a0is Professor of Critical Theory at the University of Chichester. He is the author of\u00a0Georges Bataille: A Critical Introduction(2000),\u00a0The Culture of Death\u00a0(2005),\u00a0The Persistence of the Negative: A Critique of Contemporary Theory\u00a0(2010),\u00a0Malign Velocities: Accelerationism & Capitalism\u00a0(2014), and editor of\u00a0Communization and Its Discontents\u00a0(2011). He is currently writing\u00a0Uncanny Life, a critical discussion of the problems of the vital and vitalism in contemporary theory.<\/p>\n![\"Lionel](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/Lionel-Ruffel-2013-150x100.jpg\")
<\/a>Lionel Ruffel
\nTime-triangulation
\n<\/strong>Lionel Ruffel is Head of Department and Professor of Comparative Literature and Creative Writing at Universit\u00e9 Paris 8. He is the incumbent of a Research Chair \u2018Archaeology of the Contemporary\u2019 held at the Institut Universitaire de France. He is the founding director of the online literary journal \u201cchao\u00efd\u201d, and of the subsequent series \u201cchao\u00efd\u201d at Verdier. Currently a Humboldt Fellow at the Peter Szondi-Institut (Freie Universit\u00e4t), he\u2019s the author of three monographs: Le D\u00e9nouement (2005); Volodine post-exotique (2007); Brouhaha, les mondes du contemporain (2016), and more than 40 book chapters and articles, published in five languages. He\u2019s a member of the collective \u201cL\u2019\u00e9cole de litt\u00e9rature\u201d.<\/p>\n![\"Camille](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/Camille-de-Toledo-150x150.jpg\")
<\/a>Camille de Toledo<\/strong>
\n\u00ab And so it was, we had to rebuild the future\u2026\u00a0\u00bb\u00a0<\/strong>
\nCamille de Toledo (Chto) is a fiction writer, theoretician, and artist. He comes from a jewish descent, on the side of his father. He studied literature, law and history. He continued in London, and then at the Tisch School of New York. In 2004, he obtains the grant of the Villa Me\u0301dicis in Rome for his video and literary work. In 2008, he grounded the European society of authors (www.seua.org), a utopian institution proposing to adopt \u00ab translation as language \u00bb in order to move away from the paradigm of nations and identity. Since 2012 and 2013, after his departure to Berlin, Toledo works on extended forms of writing under the acronym CHTO, what he presents as \u00ab spatial narratives \u00bb or \u00ab material narratives \u00bb, beyond the book. It has been, notably, \u00ab The Fall of Fukuyama \u00bb, in 2013, an opera with the Orchestre Philharmonique de Radio France or, in 2015, at Leipzig Contemporary Art Center, Halle 14, the \u00ab Potential exhibition \u00bb, \u00ab History Reloaded \u00bb, and \u00ab Europa – Eutopia \u00bb. His new novel, The book of hunger and thirst, will come out in 2017 by Gallimard.<\/p>\n![\"Thiphanie](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/22272_samoyault_thiphanie14adicrollalanza-139x150.jpg\")
<\/a>Tiphaine Samoyault<\/strong>
\nElle est n\u00e9e en 1968 \u00e0 Boulogne-Billancourt. Universitaire, critique litt\u00e9raire, romanci\u00e8re fran\u00e7aise, et normalienne, auteur d\u2019une th\u00e8se de doctorat sur les Romans-Mondes, les formes de la totalisation romanesque au vingti\u00e8me si\u00e8cle (1996) et d\u2019une th\u00e8se d\u2019habilitation sur l\u2019Actualit\u00e9 de la fiction \u2014\u2002th\u00e9orie, comparaison, traduction (2003). Tiphaine Samoyault est professeur en litt\u00e9rature compar\u00e9e \u00e0 l\u2019universit\u00e9 Paris VIII, dont elle a dirig\u00e9 ce d\u00e9partement jusqu\u2019en juin 2012. Ancienne pensionnaire de la Villa M\u00e9dicis (2000-2001), elle est aussi traductrice, entre autres, de portions de la nouvelle \u00e9dition d\u2019Ulysse de James Joyce. Conseill\u00e8re \u00e9ditoriale aux \u00e9ditions du Seuil, elle collabore en outre \u00e0 France Culture et \u00e0 La Quinzaine litt\u00e9raire.<\/p>\n
\n![\"Antonia](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/AntoniaKamp-97x150.jpg\")
<\/a>Scenography<\/strong>
\nAntonia Kamp<\/strong>, born 1992 in Braunschweig. Currently studying Costume- and Stage Design at the HfBK Dresden. Assistancies for Costume and Stage from 2012 on going, e.g. at Staatsschauspiel Dresden, Theater Chemnitz and Szene 12. Since 2015 own realisations both in Costume and Stage Design for theatre and opera , e.g. in cooperation with the HfM Dresden. Involved in group exhibitions such as “R\u00fcckzugsorte” at EX14 and “Die Fehler”.<\/p>\n
\n
\nMay 28, 2016\u0003<\/strong>
\n1:30pm to\u00a07pm<\/strong>
\nSpinnereistr. 7 04179 Leipzig, Allemagne
\nwww.halle14.org<\/a><\/p>\n
\nWith the support of \u00a0Halle14<\/a><\/strong>\u00a0and\u00a0Fonds Perspektive<\/strong><\/a>.<\/p>\n![\"fonds-perspektive\"](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/fonds-perspektive.jpg\")
\u00a0![\"halle14\"](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/halle14.png\")
<\/center><\/p>\n
\nhttps:\/\/www.halle14.org\/aktuelle-ausstellungen.html<\/a>
\nhttps:\/\/www.mitteleuropa.me\/capitalist-melancholia-2\/
\n<\/a>
\n—<\/p>\n
\nCamille de Toledo, Fran\u00e7ois Cusset, Michael Arzt and the Halle14\u2019s team (Claudia Gehre, Monique Erlitz, \u2026), Fonds Perspektive, Mittel-Europa, le peuple qui manque\u2018<\/em>s team (Carlos Quintero, Margot Becka, Helena Hattmannsdorfer), Jean-Hubert Martin, H\u00e9l\u00e8ne Guenin, Olivier Surel, Manuella Vaney, Marie-Pierre Liebenberg, Art Press (Barbara Green, Eva Zahl), Virginie Pislot, Christian Hartwig Steinau, Jacinto Lageira, Fran\u00e7oise Parfait, Nine Yamamoto, Michka Gorki, Carine Le Bihan. Nous remercions \u00e9galement Guillaume D\u00e9sanges, Rima Abdul-Malak, Fabrice Rozi\u00e9, Marie-C\u00e9cile Burnichon, Theaster Gates, Kent Stewart, Demecina Beehn, Xavier Wrona (notre r\u00e9sidence en 2015-2016 \u00e0 la M\u00e9thode Room\/ Rebuild Foundation de Chicago nous a permis de d\u00e9velopper certaines des recherches qui donnent lieu \u00e0 cet \u00e9v\u00e9nement).<\/p>\n
![\"Capitalist](\"https:\/\/www.lepeuplequimanque.org\/wp-content\/uploads\/2016\/05\/13217595_10154212081894421_6075023266133830276_o-901x600.jpg\")
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