{"id":247,"date":"2009-10-30T16:19:24","date_gmt":"2009-10-30T15:19:24","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/oblocinema"},"modified":"2023-11-01T23:34:17","modified_gmt":"2023-11-01T22:34:17","slug":"oblocinema","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2009\/oblocinema\/","title":{"rendered":"Feminist Art-Action (Cin\u00e9ma Oblo, Lausanne, 2009)"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

FEMINIST ART-ACTION<\/span><\/p>\n

Panorama of the feminist video-performance<\/span>
\ncontemporary Latin-American<\/span><\/p>\n

MUJERES CREANDO, REGINA JOSE GALINDO,
\nSANDRA MONTERROSO, MARIA ADELA DIAZ
\n<\/span><\/p>\n

\u00a0<\/div>\n

Oblo cinema @ Lausanne<\/span>
\nNovember, 18 and 19, 2009 at 8 pm<\/p>\n

\"mamanomelodijo-1-2.jpg\"<\/a> Art-action. An art of resistance and insubordination, intrication of body and policy, seized, since the years 1960, the Latin-American continent. From there, origin blossoming, mainly since the Eighties, of a very great number of performeuses artists and vid\u00e9astes, working since the same place of a feminist of art, integral work with their work the dimension of the kind, sexuality and cultural identity. This meeting is the occasion to show an exceptional outline of this particularly long-lived, rich contemporary scene and explosive of the vid\u00e9operformance Latin-American artists, particularly fertile in Central America (Guatemala) and Bolivia.<\/em><\/div>\n
\n

A program presented and conceived by Kantuta Quir\u00f3s and Aliocha Imhoff<\/em>.
\n<\/em><\/p>\n<\/div>\n

\"regina-jose-galindo-quien.jpg\"<\/a>Regina Jos\u00e9 Galindo<\/strong>
\nPoetess, vid\u00e9aste and performeuse, born in 1974, Regina Jose Galindo appear since the middle of the Nineties like one of the Guatemalan artists embl\u00e9matiques of its generation, prize winner of the Lion of Gold to the Biennale de Venise in 2005. During its discussed performances, its body is the vehicle by which she denounces the political conflicts and is made clarification of the violence made to the women.<\/p>\n

\n

\u00bfQuien puede borrar las huellas ?<\/em> (2003, 2\u2019, coul., son.) \/ Mientras, ellos siguen libres<\/em> (2007, 2\u2019, coul., son.) \/\u00a0 Perra<\/em> (2005, 5\u2019, coul., son.)<\/p>\n

 <\/p>\n<\/div>\n

\n

\"deformacion-33-sandra-monterosso.jpg\"<\/a>Sandra Monterroso<\/strong>
\nThe actions of Sandra Monterroso, performeuse and vid\u00e9aste Guatemalan born in 1974, are the place of a conflict between emancipation and cultural tradition. Its vid\u00e9operformances is the trace of a car-catch of conscience, a work of sabotage of the social regulations and passage between several worlds.
\nDeformaci\u00f3n # 33<\/em> (2007, 5\u2019, coul., son.)<\/p>\n

Interview with Sandra Monterroso<\/a>, blog elles@centrepompidou<\/div>\n
\u00a0<\/div>\n<\/div>\n
\n

\"maria-diaz-borderline.jpg\"<\/a>Mar\u00eda Adela D\u00edaz<\/strong>
\nBorn in Guatemala in 1973, living in Los Angeles, vid\u00e9aste and performeuse, Mar\u00eda Adela D\u00edaz puts in scene its autobiographical experiment of migrant without paper in California.
\nBorderline<\/em> (2005, 2\u2019, coul, son.) (distribution: le peuple qui manque)<\/a><\/p>\n<\/div>\n

 <\/p>\n

\"acciones-mujeres-creando.jpg\"<\/a>Mujeres Creando<\/strong>
\nThe feminist collective Bolivian Mujeres creando has carried out for more than fifteen years, an enthralling development between urban, critical intervention radical, irrepressible Utopia, celebration ostentation of the body, the pleasure, the daily newspaper, the powers of the imaginary one. Graffiteuses and vid\u00e9astes, they reject any separation of art, their actions of street drawing a single ethical posture in its kind of agitatrices, in fight against patriarchal oppressions, the colonial diagrams, the neoliberal policies.
\nMujeres Creando – Acciones \u2013 Creando Mujeres \u2013 s\u00e9lection <\/em>(2001,\u00a0\u00a0 \u00a0vost, 24\u2019)
\nMujeres Creando & Maria Galindo – Mama no me lo dijo \u2013 s\u00e9lection<\/em> (2003, vost, 30\u2019)<\/div>\n

 <\/p>\n

PRACTICAL INFORMATIONS<\/strong>
\nCinema Oblo
\nAvenue de France 9
\nLausanne, Suisse<\/span>
\nmore informations on https:\/\/www.oblo.ch\/<\/a><\/p>\n

\n

Curators and texts :<\/strong> Kantuta Quiros & Aliocha Imhoff (le peuple qui manque<\/em>)
\nThanks<\/strong>: The artists, Oblo Cinema (Sara Tocchetti).<\/p>\n<\/div>\n

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