{"id":265,"date":"2010-04-26T22:10:12","date_gmt":"2010-04-26T21:10:12","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/centre-pompidou-280410"},"modified":"2023-11-01T23:49:42","modified_gmt":"2023-11-01T22:49:42","slug":"centre-pompidou-280410","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2010\/centre-pompidou-280410\/","title":{"rendered":"Womanhouse (Centre Pompidou, 2010)"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
\n

Womanhouse<\/h1>\n

de Johanna Demetrakas (1974, 47min)<\/h4>\n

 <\/p>\n

Centre Pompidou<\/h5>\n

Mercredi 28 avril 2010 – 19h – Cin\u00e9ma 2<\/strong><\/p>\n

S\u00e9ance en pr\u00e9sence de Johanna Demetrakas<\/strong>
\npr\u00e9sent\u00e9e par Kantuta Quiros & Aliocha Imhoff, critiques et curateurs<\/p>\n

 <\/p>\n<\/div>\n

\n

<\/span><\/p>\n

\u00ab En 1972, f\u00fbt cr\u00e9\u00e9e une exposition dont on a beaucoup parl\u00e9 : \u00ab Womanhouse \u00bb. Sous la direction de Miriam Shapiro et de Judy Chicago qui devinrent des figures majeures de l\u2019art f\u00e9ministe dans les ann\u00e9es 70 et 80, vingt-quatre femmes (dont Faith Wilding ou Mira Schor) am\u00e9nag\u00e8rent une maison \u00e0 Los Angeles. L\u2019espace domestique devenant espace d\u2019exposition, la distinction entre public et priv\u00e9 disparaissait et les conventions r\u00e9gissant la repr\u00e9sentation volaient en \u00e9clats ; la salle de bain et la maison de poup\u00e9e devenaient des espaces d\u2019exposition \u00ab appropri\u00e9s \u00bb \u00e0 l\u2019art f\u00e9ministe. \u00ab Womanhouse \u00bb encensait ce qui \u00e9tait consid\u00e9r\u00e9 comme trivial : les produits de beaut\u00e9, les tampons hygi\u00e9niques, le linge de maison, les bonnets de douche et les sous-v\u00eatements devenaient des mat\u00e9riaux hautement artistiques. Tous les m\u00e9dias s\u2019y int\u00e9ress\u00e8rent, en r\u00e9alisant souvent des reportages \u00e0 sensation ; l\u2019exposition apportait la preuve que l\u2019art f\u00e9ministe avait un public nombreux et passionn\u00e9 \u00bb Peggy Phelan
\n<\/span>
\nWomanhouse est un documentaire historique prodigieux sur l\u2019un des \u00e9v\u00e9nements culturels f\u00e9ministes les plus importants des ann\u00e9es 70 aux Etats-Unis. Il ne se limite pas \u00e0 \u00eatre le t\u00e9moin de plusieurs performances fameuses telles Waiting de Faith Wilding ou Cock and cunt play de Judy Chicago, ainsi que des diff\u00e9rentes pi\u00e8ces de l\u2019exposition-maison – Nurturant Kitchen, Menstruation Bathroom, Nightmare Bathroom – ou encore de l\u2019installation Linen Closet, mais retrace \u00e9galement un projet p\u00e9dagogique exp\u00e9rimental men\u00e9 dans le cadre du Feminist Art Program de CalArts, les ateliers de prises de conscience collectives, les interactions avec le public et toute l\u2019\u00e9nergie de cette \u00e9poque. Le film Womanhouse, distribu\u00e9 par le peuple qui manque, vient d’entrer dans les collections du Mus\u00e9e d’Art Moderne \/ Centre Pompidou.<\/p>\n<\/div>\n

 <\/p>\n

<\/div>\n

 <\/p>\n

Informations pratiques:<\/strong>
\nCentre Pompidou
\nCin\u00e9ma 2, Niveau -1
\nM\u00e9tro Rambuteau ou H\u00f4tel de Ville
\nTarifs: 6\u20ac \/ tarif r\u00e9duit 4\u20ac \/ gratuit avec le laissez-passer<\/p>\n

 <\/p>\n

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