{"id":3334,"date":"2020-08-19T14:09:07","date_gmt":"2020-08-19T13:09:07","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?p=3334"},"modified":"2024-05-06T08:23:24","modified_gmt":"2024-05-06T07:23:24","slug":"across-anthropology","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2020\/across-anthropology\/","title":{"rendered":"\u00ab Translating the Silence \u00bb, in Across Anthropology, 2020"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; gradient_type=&#8221;default&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>Across Anthropology. <\/strong><br \/>\n<strong>Troubling Colonial Legacies, Museums, and the Curatorial<\/strong><br \/>\n(Eds. <strong>Margareta von Oswald<\/strong> and <strong>Jonas Tinius<\/strong>,\u00a0Leuven University Press, 2020)<br \/>\n450+ pages colour-illustrated<br \/>\nopen-access book<\/p>\n<div class=\"text_exposed_show\">\n<p>&#8220;How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised &#8216;elsewhere&#8217; and &#8216;otherwise&#8217;. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland \u2013 and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Situated amid resurgent debates on nationalism and identity politics, it analyses the convergences of museums, curatorial practice, and Europe&#8217;s reckoning with its colonial legacies.&#8221;<\/p>\n<p>Preface by\u00a0<strong>Arjun Appadurai<\/strong>. Afterword by\u00a0<strong>Roger Sansi<\/strong><\/p>\n<p>Contributors: <strong>Arjun Appadurai<\/strong> (New York University), <strong>Annette Bhagwati<\/strong> (Museum Rietberg, Zurich),\u00a0<strong>Cl\u00e9mentine Deliss<\/strong>\u00a0(Berlin), <strong>Sarah Demart<\/strong> (Saint-Louis University, Brussels),\u00a0<strong>Natasha Ginwala<\/strong>\u00a0(Gropius Bau, Berlin),\u00a0<strong>Emmanuel Grimaud<\/strong>\u00a0(CNRS, Paris),\u00a0<strong>Aliocha Imhoff\u00a0and\u00a0Kantuta Quir\u00f3s<\/strong>\u00a0(Paris), <strong>Erica Lehrer<\/strong> (Concordia University, Montreal), <strong>Toma Muteba Luntumbue<\/strong> (Ecole de Recherche Graphique, Brussels), <strong>Sharon Macdonald<\/strong> (Humboldt-Universit\u00e4t zu Berlin),\u00a0<strong>Wayne Modest<\/strong>\u00a0(Research Center for Material Culture, Leiden),\u00a0<strong>Bonaventure Soh Bejeng Ndikung<\/strong>\u00a0(SAVVY Contemporary, Berlin), <strong>Margareta von Oswald<\/strong> (Humboldt-Universit\u00e4t zu Berlin), <strong>Roger Sansi<\/strong> (Barcelona University),\u00a0<strong>Alexander Schellow<\/strong>\u00a0(Ecole de Recherche Graphique, Brussels), <strong>Arnd Schneider<\/strong> (University of Oslo),\u00a0<strong>Seiderer Anna<\/strong>\u00a0(University Paris 8),\u00a0<strong>Nanette Snoep\u00a0<\/strong>(Rautenstrauch-Joest-Museum, Cologne),\u00a0<strong>Nora Sternfeld<\/strong>\u00a0(Kunsthochschule Kassel), <strong>Anne-Christine Taylor<\/strong> (Paris), <strong>Jonas Tinius<\/strong> (Humboldt-Universit\u00e4t zu Berlin)<\/p>\n<p>The book is funded by Sharon Macdonald&#8217;s\u00a0Alexander Von Humboldt-Stiftung\u00a0Professorship, the\u00a0Humboldt-Universit\u00e4t zu Berlin, and the Leuven University Open Access Fund.<\/p>\n<p>Download the entire book:\u00a0<a href=\"https:\/\/tinyurl.com\/acrossanthropologybook?fbclid=IwAR08SdUxODCR8ILklfM2Fdf4D2COUjooM-mwe-VPfMaG7ZJjrNIstG5Ee44\" target=\"_blank\" rel=\"noopener nofollow noreferrer\" data-ft=\"{&quot;tn&quot;:&quot;-U&quot;}\" data-lynx-mode=\"async\" data-lynx-uri=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Ftinyurl.com%2Facrossanthropologybook%3Ffbclid%3DIwAR08SdUxODCR8ILklfM2Fdf4D2COUjooM-mwe-VPfMaG7ZJjrNIstG5Ee44&amp;h=AT10NOQ6wNuz8e0__LAvCMJjH6Y-v0dOeVuD6rhPgw63-EjCJwVh3UhUsqLlWgJCShd5u1XWhiyyW2U4spUGj_OmTEEdmprLyRm16axnQc3Ogtc8noTrInz7zSCNrVTWnB-CLmjppXgJ_JRmawKsDwUUko6et6sHpW4Y_fqMhP-7bAIhGCMosF297pzlO1CDc75ogk6RthRyI1Cr1bmelKQZZT3lhmwbL3gDpUJRNqqVoqTBjwumIi09DbHjdceG5ALMdAuKbPKgiBlmvYmA7rlD6ej7fIkFkmvZciW4lYEV-PvliEgwE9DrEr5hCsmrhUhHzpvSKrwVdxToMweaSn6C2SiTGHRexUCLioJNQrgYpUG84DGWSKpBSlW9avHjVrJ0hol7qwQ9QMT7J8i0h7YWJ7jweb5mIqAhRt20sC7MWc8Tt1JE50uMX_t0Kj7vyh4L_KUVuVBy6lY\">https:\/\/tinyurl.com\/acrossanthropologybook<\/a><br \/>\nOrder the book:\u00a0<a href=\"https:\/\/lup.be\/products\/126702?fbclid=IwAR1xq0kn_olee8Uy8GKhZ0rnlymvejwItz1ZenUhF4JofFN82-Ffo4U71SA\" target=\"_blank\" rel=\"noopener nofollow noreferrer\" data-ft=\"{&quot;tn&quot;:&quot;-U&quot;}\" data-lynx-mode=\"async\" data-lynx-uri=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Flup.be%2Fproducts%2F126702%3Ffbclid%3DIwAR1xq0kn_olee8Uy8GKhZ0rnlymvejwItz1ZenUhF4JofFN82-Ffo4U71SA&amp;h=AT0SMWLoT4zLjMdG6QEPe6XjPDZh4NErws0tnRKsAHlSxrp07mpSMoQ68PXuNNheGAloTTsG7-VggWdGfGBhBFecOlB03XEn1tlITjfKe-azi-BHPlaGi0d1wJcO2JY9P6dK8jv1C76Y4GuQZd9Cm0cP_4F7eyyWoiVhvjwwSSH5AQ1NAwjRVMISMQ1q9kVK0Sv4d8MxyIokn9cHZsXPyjGqQhKAq9gGcHdo93Kz6fNX3eUTIAMLMQqvX7Ld7BjSyaR75bEmgQPcIqOLSr2ELYgMgyYHORf747iiFXo9Ig0Vwg8ztQlDWDaTiVbFotZRLWz6_tIKbZQVlHDobmC0wx9XBVdxkeWZGHeEQh6IcV9oM5ubVAkKv_ajGPS_Gw3b8OiyyGGNUHXvE3rMb7YAkKocgunlUClf7IuchJEcpS1kEWuN93aWD3z5-JHDiHnOl0Z7_Ojii_6Csmg\">https:\/\/lup.be\/products\/126702<\/a><\/p>\n<p>Here is our contribution, titled <strong>&#8220;Translating the Silence&#8221;, interview with Aliocha Imhoff &amp; Kantuta Quir\u00f3s<\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_content&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; gradient_type=&#8221;default&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<div class=\"_df_book df-lite\" id=\"df_5615\"  _slug=\"translating-the-silence\" data-title=\"translating-the-silence\" wpoptions=\"true\" thumbtype=\"\" ><\/div><script class=\"df-shortcode-script\" nowprocket type=\"application\/javascript\">window.option_df_5615 = {\"outline\":[],\"backgroundColor\":\"transparent\",\"autoEnableOutline\":\"false\",\"autoEnableThumbnail\":\"false\",\"overwritePDFOutline\":\"false\",\"direction\":\"1\",\"pageSize\":\"0\",\"soundEnable\":\"false\",\"source\":\"https:\\\/\\\/www.lepeuplequimanque.org\\\/wp-content\\\/uploads\\\/2020\\\/08\\\/translating-the-silence.pdf\",\"wpOptions\":\"true\"}; if(window.DFLIP && window.DFLIP.parseBooks){window.DFLIP.parseBooks();}<\/script>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>Read our article <b>&#8220;Translating the Silence, interview with Aliocha Imhoff &#038; Kantuta Quir\u00f3s&#8221;<\/b><br \/>\n<em>in<\/em> <b>Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial<\/b><br \/>\n(Eds. Margareta von Oswald and Jonas Tinius,\u00a0Leuven University Press, 2020)<\/p>\n","protected":false},"author":1,"featured_media":3339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3334","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articles"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/3334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=3334"}],"version-history":[{"count":0,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/3334\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media\/3339"}],"wp:attachment":[{"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=3334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=3334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=3334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}