{"id":7195,"date":"2025-07-02T17:58:35","date_gmt":"2025-07-02T16:58:35","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?p=7195"},"modified":"2025-07-02T18:03:38","modified_gmt":"2025-07-02T17:03:38","slug":"pour-une-ecologisation-des-institutions","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2025\/pour-une-ecologisation-des-institutions\/","title":{"rendered":"Towards greener art institutions. Bifurcations and general rehearsals, 2025"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7196″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”global” color=”accent-color” padding=”small” border_radius=”5px” display=”block” text=”Article”][vc_column_text css=”” text_direction=”default”]\n

Aliocha Imhoff & Kantuta Quir\u00f3s publish an article entitled \u201cTowards a greening of art institutions. Bifurcations and general repetitions\u201d in Les mondes de l\u2019art \u00e0 l\u2019\u00e2ge du capitalisme culturel<\/em> (The Worlds of Art in the Age of Cultural Capitalism<\/em>).<\/p>\n

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How, in the current moment, can we bring about a cosmological shift in museums and change the way museums function?<\/p>\n

While the halt in production during the Covid-19 crisis may have seemed to some like a dress rehearsal for a concerted halt to capitalist and extractivist modes of production, with a view to ecological redirection, similarly, the shutdown of the art system during this same crisis may have appeared to be the premises for a \u201cdress rehearsal\u201d for a change in the modes of production of art and its various institutions…<\/p>\n

The Worlds of Art in the Age of Cultural Capitalism<\/h1>\n

“How can we think today about the art ecosystem and the threats to its autonomy?<\/p>\n

The artists, activists, professionals, and researchers gathered here trace the trajectory of the ecological, economic, institutional, and social changes brought about by the industrialization of culture and art. Starting from a philosophical approach that extends to critical theory and cultural studies, this book engages in a contemporary epistemology capable of deconstructing the hegemonic form of the art world and proposing a new map. It questions the possible futures of art in relation to aspirations for a decolonized and degrowth-oriented world that is pluralistic, inclusive, decentralized, and egalitarian.<\/p>\n

With contributions from: Alonso Gomez Sara, Allain-Bonilla Marie-Laure, Barranger-Favreau Maud, Bazin Quentin, Bel J\u00e9r\u00f4me, Buscatto Marie, Caillet Aline, Feyeux Ana\u00efs, Fleury Ariane, Gait\u00e9 Florian, Heimendinger Nicolas, Aliocha Imhoff & Kantuta Quir\u00f3s, La Buse: Catin Aur\u00e9lien & Moutsis \u00c9milie, Langlois Cassandre, Lecerf Maulpoix Cy, Lucquet-Gad Ingrid, L\u00fctticken Sven, Michalet Judith, Osborne Peter, Pellegrin Julie, Quesne Philippe, Roesch Ana\u00efs, Salmeron Fran\u00e7ois, Orlando Sophie, Puig Vincent, Vishmidt (\u2020) Marina, Zenetti Marie-Jeanne<\/p>\n

(ed.) Florian Ga\u00eet\u00e9, Aline Caillet, Les mondes de l\u2019art \u00e0 l\u2019\u00e2ge du capitalisme culturel, Presses Universitaires de Vincennes, 2025<\/p>\n

22 euros<\/p>\n[\/vc_column_text][nectar_cta btn_style=”arrow-animation” heading_tag=”h6″ button_color=”default” button_border_thickness=”0px” link_type=”new_tab” alignment=”left” alignment_tablet=”default” alignment_phone=”default” display=”block” display_tablet=”inherit” display_phone=”inherit” link_text=”Learn more” url=”https:\/\/www.puv-editions.fr\/ouvrage\/les-mondes-de-lart-a-lage-du-capitalisme-culturel”][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

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