{"id":7205,"date":"2025-07-02T18:26:10","date_gmt":"2025-07-02T17:26:10","guid":{"rendered":"https:\/\/www.lepeuplequimanque.org\/?p=7205"},"modified":"2025-07-02T18:35:23","modified_gmt":"2025-07-02T17:35:23","slug":"la-part-invisible-l-art-meme","status":"publish","type":"post","link":"https:\/\/www.lepeuplequimanque.org\/en\/2025\/la-part-invisible-l-art-meme\/","title":{"rendered":"\u00ab La part invisible \u00bb in l\u2019art m\u00eame n\u00b096, 2025"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7211″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”5px” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_badge display_tag=”body” badge_style=”default” bg_color_type=”global” color=”accent-color” padding=”small” border_radius=”5px” display=”block” text=”Article”][vc_column_text css=”” text_direction=”default”]\n

Aliocha Imhoff & Kantuta Quir\u00f3s publish an article entitled \u201cThe invisible share\u201d (la part invisible<\/em>) in l’art m\u00eame no. 96, May 2025.<\/p>\n[\/vc_column_text][vc_column_text css=”” text_direction=”default”]\n

At the intersection of parliamentary forms, fictional diplomacy, and speculative justice, the eco-assemblyist turn in art places at its heart the \u201cimpossible necessity\u201d of translating and representing non-humans, working \u201cnot only in spite of but because of the impossibility of the task.\u201d In our curatorial work, we have sought to contribute to this effort. This text revisits the film Pachakuti, which, between fiction and essay, reactivates the powers of the historical process of the Bolivian Constituent Assembly and tests the hypothesis of the Rights of Nature.<\/p>\n

l\u2019art m\u00eame n\u00b096<\/h1>\n

The living part (La part du vivant)<\/h3>\n
Publication date: May 2025<\/div>\n
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Art m\u00eame 96<\/a><\/div>\n